Carl Maria von Weber, Alexander Glazunov, Johannes Brahms, Hector Berlioz, Erich Kunzel, Cincinnati Pops Orchestra's 'Concert Waltzes' came out on October 24, 2006. Since Concert Waltzes is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "The Never-Ending Waltz". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. The popularity of Concert Waltzes is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concert Waltzes by Carl Maria von Weber, Alexander Glazunov, Johannes Brahms, Hector Berlioz, Erich Kunzel, Cincinnati Pops Orchestra having a テンポ of 182 with a half-time of 91 テンポ and a double-time of 364 テンポ, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Danses sacrée et profane, L. 103 | Claude Debussy, Yolanda Kondonassis, Richard Weiss, Thomas Sperl, Stanley Konopka, Martin Chalifour, Wei-Fang Gu | E♭ Major | 0 | 5B | 107 BPM | ||
Abbey Road concerto for Violin and Orchestra: XII. Maxwell’s Silver Hammer | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 5 | 11B | 157 BPM | ||
R. Strauss: Sinfonia Domestica, Op. 53, TrV 209: IV. Scherzo | Richard Strauss, Munich Philharmonic Orchestra, Zubin Mehta | D Major | 1 | 10B | 86 BPM | ||
Mercure: III. Danse de tendresse | Erik Satie, Ronald Corp, New London Orchestra | D Major | 3 | 10B | 122 BPM | ||
Piano Concerto No. 2 in D Minor, Op. 40, MWV O11: II. Adagio - Molto sostenuto | Felix Mendelssohn, Benjamin Frith, Slovak State Philharmonic Orchestra, Kosice, Robert Stankovsky | B♭ Major | 0 | 6B | 131 BPM | ||
The Way We Were (From "The Way We Were") | William Tritt, Cincinnati Pops Orchestra, Erich Kunzel | D Major | 0 | 10B | 74 BPM | ||
Preliudai (Preludes): Preludias: Andante | Mikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas Domarkas | F Major | 1 | 7B | 72 BPM | ||
Piano Trio in B-Flat Major, Op. 97 "Archduke": III. Andante cantabile (Arr. for Orchestra by Franz Liszt) | Ludwig van Beethoven, Orchester Wiener Akademie, Martin Haselböck | D Major | 0 | 10B | 88 BPM | ||
Six Studies in English Folk-Song: 2. Andante sostenuto, ( E flat ) ... folksong source : "Spurn Point" | Ralph Vaughan Williams, Reginald Kell, Brooks Smith | E♭ Major | 0 | 5B | 68 BPM | ||
Shchedrin: Carmen Suite: VII. Second Intermezzo (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | E Major | 1 | 12B | 116 BPM |