"The Way We Were (From "The Way We Were")" by William Tritt, Cincinnati Pops Orchestra, Erich Kunzel was released on May 1, 1991. With this song being about 5 minutes long, at 4:35, "The Way We Were (From "The Way We Were")" by William Tritt, Cincinnati Pops Orchestra, Erich Kunzel is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Erich Kunzel, Cincinnati Pops Orchestra's "Movie Love Themes" album is number 18 out of 18. On top of that, United States appears to be the country where this track was created. The Way We Were (From "The Way We Were") is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Way We Were (From "The Way We Were") by William Tritt, Cincinnati Pops Orchestra, Erich Kunzel to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola's Audition - Instrumental | Stephen Warbeck, Nick Ingman, Gavyn Wright | E Minor | 1 | 9A | 74 BPM | ||
Cinderella, Op. 87, Act I: Introduction | Sergei Prokofiev, WDR Sinfonieorchester Köln, Michail Jurowski | C Major | 2 | 8B | 127 BPM | ||
One True Thing | Cliff Eidelman | A Major | 0 | 11B | 168 BPM | ||
Phantom Fantasia: Wishing You Were Somehow Here Again | Andrew Lloyd Webber, Anthony Inglis | B♭ Major | 1 | 6B | 74 BPM | ||
Metropolis: II. Zwischenspiel: Freder im Wahn | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | F♯ Minor | 1 | 11A | 85 BPM | ||
Leaving Day | Christopher Willis | E Major | 2 | 12B | 134 BPM | ||
Life is Beautiful | City of Prague Orchestra, David Micheal Frank | A Major | 3 | 11B | 124 BPM | ||
The Phantom Bloodstone Suite | Niklas Wagner | A♭ Major | 2 | 4B | 82 BPM | ||
Steam Engine - Instrumental | Patrick Doyle, Robert Ziegler, Tony Hymas | G Major | 2 | 9B | 116 BPM | ||
Opening Day | William Ross | D Major | 2 | 10B | 102 BPM |