"Abbey Road concerto for Violin and Orchestra: XII. Maxwell’s Silver Hammer" by Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra was released on April 26, 2024. With Abbey Road concerto for Violin and Orchestra: XII. Maxwell’s Silver Hammer being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra's "Guy Braunstein: Abbey Road Concerto (EP)" album is number 12 out of 15. On top of that, France appears to be the country where this track was created. Based on our statistics, Abbey Road concerto for Violin and Orchestra: XII. Maxwell’s Silver Hammer's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Abbey Road concerto for Violin and Orchestra: XII. Maxwell’s Silver Hammer by Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra to be Vivace (lively and fast) because the track has a tempo of 157 テンポ, a half-time of 78テンポ, and a double-time of 314 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aubade, FP 51a: II. Récitatif. Les compagnes de Diane | Francis Poulenc, Julian Evans, New London Orchestra, Ronald Corp | C Major | 1 | 8B | 140 BPM | ||
4 Songs, Op. 2, B. 124: No. 4, Everything's still (Arr. B. Zaslav for viola and piano) | Antonín Dvořák, The Zaslav Duo | B Major | 1 | 1B | 174 BPM | ||
4 Pieces for Cello & Piano, Op. 78: No. 2, Romance | Jean Sibelius, Duo Arnicans | F Major | 0 | 7B | 94 BPM | ||
Scottish Fantasy, Op. 46: I. Introduction: Grave - | Max Bruch, Guy Braunstein, Bamberg Symphony, Ion Marin | E♭ Minor | 1 | 2A | 76 BPM | ||
Album for the Young, Op. 140: No. 18 Serenade in Bb | The Gerst Ensemble | A Major | 2 | 11B | 107 BPM | ||
Introduzione, aria e presto: I. Largo e spiccato | Benedetto Marcello, I Musici | E Minor | 4 | 9A | 133 BPM | ||
Angel, Poem-Nocturne | Theodore Akimenko, Bournemouth Symphony Orchestra, Kirill Karabits | E Major | 1 | 12B | 77 BPM | ||
Concertino for Horn and Orchestra, Op. 45, J. 188: I. Adagio – Andante | Carl Maria von Weber, Martin Owen, BBC Philharmonic, John Wilson | E Major | 1 | 12B | 118 BPM | ||
Oboe Sextet No. 1 in B-Flat Major, L. 273: III. Finale. Allegretto | Cayetano Brunetti, Il Maniatico Ensemble, Robert Silla, Luis María Suárez, Pablo Martín, Sandra García, Silvina Álvarez, Carla Sanfélix | B♭ Major | 2 | 6B | 140 BPM | ||
Violin Concerto in D Minor "Accademico": II. Adagio | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron, Jack Liebeck | G Major | 1 | 9B | 79 BPM |