"Josephs-Legende, Op. 63, TrV 231: Allegro moderato - Eine mächtige Säulenhalle im Stil des Palladio" by Richard Strauss, Staatskapelle Halle, Fabrice Bollon was released on March 8, 2024. With Josephs-Legende, Op. 63, TrV 231: Allegro moderato - Eine mächtige Säulenhalle im Stil des Palladio being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "R. Strauss: Josephs-Legende, Op. 63, TrV 231". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hong Kong. Josephs-Legende, Op. 63, TrV 231: Allegro moderato - Eine mächtige Säulenhalle im Stil des Palladio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Josephs-Legende, Op. 63, TrV 231: Allegro moderato - Eine mächtige Säulenhalle im Stil des Palladio by Richard Strauss, Staatskapelle Halle, Fabrice Bollon having a テンポ of 76 with a half-time of 38 テンポ and a double-time of 152 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Minor "Accademico": I. Allegro pesante | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron, Jack Liebeck | G Major | 1 | 9B | 79 BPM | ||
The Seasons, Op. 67, Pt. 3 "L’été": No. 9, Scène de l’été | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Macbeth: Act IV, Introduction | Arthur Sullivan, Margaret MacDonald, RTE Chamber Choir, RTE Concert Orchestra, Andrew Penny | B Major | 2 | 1B | 82 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Thais Ballet Music: III. Presto vivace | Jules Massenet, Barcelona Symphony and Catalonia National Orchestra, Patrick Gallois | A Major | 1 | 11B | 107 BPM | ||
Dream Outro | Philip Yoo | A Major | 1 | 11B | 67 BPM | ||
Salome, Op. 54 / Scene 3: "Du bist verflucht" | Richard Strauss, Cheryl Studer, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | C Minor | 0 | 5A | 64 BPM | ||
12 Danzas espanolas (Spanish Dances), Op. 37 (arr. R. Ferrer): No. 2. Orientale | Rafael Ferrer, Enrique Granados, Barcelona Symphony and Catalonia National Orchestra, Salvador Brotons | C Minor | 0 | 5A | 81 BPM | ||
Piano Concerto No. 3 in C Major, Op. 144: III. Finale. Allegro vivace e grazioso | Carl Reinecke, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | C Major | 1 | 8B | 64 BPM | ||
The Mill on the Brook, Kinderleben Op.62 No.10 (Theodor Kullak) | The Gerst Ensemble | A Major | 0 | 11B | 77 BPM |