Salome, Op. 54 / Scene 3: "Du bist verflucht"

Richard Strauss, Cheryl Studer, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli
Richard Strauss: Salome
5:08 1991年1月1日
テンポ
64
キー
C Minor
キャメロットミュージックキー
5A

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共有

Salome, Op. 54 / Scene 3: "Du bist verflucht" - Richard Strauss, Cheryl Studer, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli 情報

音響性
95%
ダンサビリティ
13%
エネルギー
4%
手段性
81%
活気
6%
ラウドネス
74%
話し言葉
4%
価数
3%
人気
ラウドネス
-15.519 dB

まとめ

"Salome, Op. 54 / Scene 3: "Du bist verflucht"" by Richard Strauss, Cheryl Studer, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli was released on January 1, 1991. With this song being about 5 minutes long, at 5:08, "Salome, Op. 54 / Scene 3: "Du bist verflucht"" by Richard Strauss, Cheryl Studer, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 32 in the song's album "Richard Strauss: Salome". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Germany. Salome, Op. 54 / Scene 3: "Du bist verflucht" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Salome, Op. 54 / Scene 3: "Du bist verflucht" テンポ

With Salome, Op. 54 / Scene 3: "Du bist verflucht" by Richard Strauss, Cheryl Studer, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli having a テンポ of 64 with a half-time of 32 テンポ and a double-time of 128 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Salome, Op. 54 / Scene 3: "Du bist verflucht" キー

This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

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ISRC
DEF059030317
レコードレーベル
L-M Records/RCA Records