Giuseppe Verdi, Marian Vach, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi's 'Il trovatore: Anvil Chorus 'Vedi le fosche notturne'' had a release date set for October 24, 1990. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi: Opera Choruses by Giuseppe Verdi. The song's track number on the album is #6 out of 14 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. The popularity of Il trovatore: Anvil Chorus 'Vedi le fosche notturne' is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Il trovatore: Anvil Chorus 'Vedi le fosche notturne' by Giuseppe Verdi, Marian Vach, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi has a tempo of 170 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Il trovatore: Anvil Chorus 'Vedi le fosche notturne' being at 170 テンポ, the half-time would be 85 テンポ with a double-time of 340 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 1 | 7B | 67 BPM | ||
Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | ||
La Rondine / Act 2: "Bevo al tuo fresco sorriso" | Giacomo Puccini, Renée Fleming, Jonas Kaufmann, Barbara Vignudelli, Paolo Cautoruccio, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Marco Armiliato | E♭ Major | 3 | 5B | 83 BPM | ||
Samson et Dalila, Op.47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | D♭ Major | 1 | 3B | 86 BPM | ||
March From Things To Come | Arthur Bliss, Bliss, Royal Philharmonic Orchestra, Robin Stapleton | C Major | 5 | 8B | 114 BPM | ||
Lloyd Webber: Requiem: VII. Pie Jesu (Soprano, Boy Soprano, Chorus) | Andrew Lloyd Webber, Jane Gilchrist, Fergus Thirwell, Simon Gibson, Kirk Trevor, Slovak Radio Symphony Orchestra | A♭ Major | 1 | 4B | 91 BPM | ||
Verdi: La forza del destino, Act 2 Scene 10: Finale, "La Vergine degli Angeli" (Leonora, Chorus) | Giuseppe Verdi, Montserrat Caballé, Ambrosian Opera Chorus, Royal Philharmonic Orchestra, Anton Guadagno | F Major | 1 | 7B | 93 BPM | ||
Semele HWV 58 / Act 2: Where'er you walk | George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras | G Major | 0 | 9B | 108 BPM | ||
Guillaume Tell (William Tell): Arresta ... Quali sguardi! (Arnaldo and Guglielmo) | Gioachino Rossini, Janez Lotric, Igor Morozov, Slovak Radio Symphony Orchestra, Johannes Wildner | E♭ Major | 3 | 5B | 70 BPM | ||
Tannhauser: Pilgrims Chorus | Richard Wagner, Alexander Vilumanis, Latvian State Symphony Orchestra | E♭ Major | 0 | 5B | 75 BPM |