Gioachino Rossini, Janez Lotric, Igor Morozov, Slovak Radio Symphony Orchestra, Johannes Wildner's 'Guillaume Tell (William Tell): Arresta ... Quali sguardi! (Arnaldo and Guglielmo)' had a release date set for June 28, 1994. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Operatic Duets for Tenor and Baritone". In this album, this song's track order is #1. Guillaume Tell (William Tell): Arresta ... Quali sguardi! (Arnaldo and Guglielmo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Guillaume Tell (William Tell): Arresta ... Quali sguardi! (Arnaldo and Guglielmo) by Gioachino Rossini, Janez Lotric, Igor Morozov, Slovak Radio Symphony Orchestra, Johannes Wildner having a テンポ of 70 with a half-time of 35 テンポ and a double-time of 140 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il viaggio a Reims: Dell'alma diva (Live) | Gioachino Rossini, Mirco Palazzi, Poznan Camerata Bach Choir, Virtuosi Brunensis, Antonino Fogliani | F Major | 3 | 7B | 114 BPM | ||
Les soirées musicales: La danza (Già la luna è in mezzo al mare) | Gioachino Rossini, Carlo Pepoli, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | F Major | 4 | 7B | 69 BPM | ||
Largo al factotum | Gioachino Rossini, Simon Keenlyside, Ulf Schirmer | C Major | 3 | 8B | 73 BPM | ||
Stabat Mater: Sancta mater, istud agas | Gioachino Rossini, Riccardo Muti, Orchestra del Maggio Musicale Fiorentino | A♭ Major | 1 | 4B | 82 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Lohengrin, WWV 75: Prelude To Act III | Richard Wagner, Wiener Philharmoniker, Karl Böhm | G Major | 3 | 9B | 120 BPM | ||
Der fliegende Holländer: Overture | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | A Minor | 3 | 8A | 88 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Offenbach: Orphée aux enfers, Act 2 Tableau 4: "Ce bal est original" (Pluton, Jupiter, Vénus, Eurydice, Chorus) | Jacques Offenbach, Marc Minkowski, Orchestre De L'Opéra National De Lyon | B♭ Major | 3 | 6B | 129 BPM | ||
Lakmé / Act 1: "Viens, Mallika, ... Dôme épais" (Flower Duet) | Léo Delibes, Dame Joan Sutherland, Jane Berbié, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | B Major | 1 | 1B | 84 BPM |