"A Child of our Time, Part I: A Spiritual. Steal away (Soprano, Tenor, Chorus)" by Michael Tippett, Pumeza Matshikiza, Joshua Stewart, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis was released on May 3, 2024. The duration of A Child of our Time, Part I: A Spiritual. Steal away (Soprano, Tenor, Chorus) is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. A Child of our Time, Part I: A Spiritual. Steal away (Soprano, Tenor, Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "Tippett: A Child of our Time". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, A Child of our Time, Part I: A Spiritual. Steal away (Soprano, Tenor, Chorus)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With A Child of our Time, Part I: A Spiritual. Steal away (Soprano, Tenor, Chorus) by Michael Tippett, Pumeza Matshikiza, Joshua Stewart, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis having a テンポ of 141 with a half-time of 70 テンポ and a double-time of 282 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in G Major, P. 58 (Original Version): III. Pastorale: Andante molto sostenuto | Ottorino Respighi, Kyler Brown, Chamber Orchestra of New York, Salvatore Di Vittorio | D Minor | 1 | 7A | 104 BPM | ||
L'Oiseau de feu (1911 Version): XVIII. Réveil de Kastchei - Mort de Kastchei - Profondes tenèbres | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B♭ Minor | 1 | 3A | 113 BPM | ||
Hail, Bright Cecilia!, Z. 328: Symphony. "Thou Tundst This World" | Henry Purcell, April Cantelo, Kalmar Chamber Orchestra London, Ambrosian Singers, Michael Tippett, Denis Vaughan | G Minor | 2 | 6A | 74 BPM | ||
Aubade, FP 51a: VII. Récitatif. Introduction à la variation | Francis Poulenc, Julian Evans, New London Orchestra, Ronald Corp | B♭ Minor | 0 | 3A | 70 BPM | ||
Montgomery Variations: VI. Lament | Margaret Bonds, Kellen Gray, Royal Scottish National Orchestra | D Minor | 0 | 7A | 87 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
Franck: Symphony in D Minor, FWV 48: II. Allegretto | César Franck, Paavo Berglund, Bournemouth Symphony Orchestra | D♭ Major | 3 | 3B | 91 BPM | ||
Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: VI. Romeo and Juliet. The Balcony Scene | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | C Major | 2 | 8B | 72 BPM | ||
The Midsummer Marriage, Act I Scene 2: Stop! Stop, stop! - Live | Michael Tippett, Edward Gardner, London Philharmonic Orchestra, Robert Murray, Susan Bickley, Joshua Bloom | G Major | 7 | 9B | 133 BPM | ||
Pelleas und Melisande, Op. 5: Die ? ein wenig bewegt | Arnold Schoenberg, Edward Gardner, Bergen Philharmonic Orchestra | C Major | 1 | 8B | 83 BPM |