"Montgomery Variations: VI. Lament" by Margaret Bonds, Kellen Gray, Royal Scottish National Orchestra was released on October 13, 2023. The duration of Montgomery Variations: VI. Lament is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Montgomery Variations: VI. Lament's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 11 in African American Voices II by Kellen Gray, Royal Scottish National Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Montgomery Variations: VI. Lament is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Montgomery Variations: VI. Lament by Margaret Bonds, Kellen Gray, Royal Scottish National Orchestra is Andante (at a walking pace), since this song has a tempo of 87 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Dolly Suite, Op. 56 (arr. H. Rabaud): III. Le Jardin de Dolly | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 64 BPM | ||
Spartacus Ballet Suite No. 1: I. Introduction and Dance of Nymphs | Aram Khachaturian, Neeme Järvi, Royal Scottish National Orchestra | C Major | 5 | 8B | 83 BPM | ||
Spartacus Ballet Suite No. 2: II. Entrance of the Merchants, Dance of a Roman Courtesan, General Dance | Aram Khachaturian, Neeme Järvi, Royal Scottish National Orchestra | C Major | 5 | 8B | 83 BPM | ||
Francesca da Rimini, Op. 25, Scene 1: My answer Is plain (Lanceotto) | Sergei Rachmaninoff, Svetla Vassileva, Misha Didyk, Sergey Murzaev, Gennady Bezzubenkov, Evgeny Akimov, BBC Singers, BBC Philharmonic Orchestra, Gianandrea Noseda | G Major | 3 | 9B | 174 BPM | ||
Mercure: I. Ouverture | Erik Satie, Ronald Corp, New London Orchestra | D Major | 3 | 10B | 122 BPM | ||
Summer Night - Suite from 'The Duenna', Op. 123: 2. Serenade | Bournemouth Symphony Orchestra, Paavo Berglund | C Major | 1 | 8B | 117 BPM | ||
Relâche, Pt. 2: No. 10, La femme rejoint son fauteuil | Erik Satie, Ronald Corp, New London Orchestra | D Major | 3 | 10B | 122 BPM | ||
Sichuan Image, Op. 70: No. 12, The Boundless Mt. Minshan | Xiaogang Ye, Yue Li, Royal Scottish National Orchestra, José Serebrier | E Minor | 1 | 9A | 81 BPM | ||
Symphony No. 7 in E Major, WAB 107 (original 1885 version, ed. R. Haas): IV. Finale: Bewegt, doch nicht schnell | Anton Bruckner, Royal Scottish National Orchestra, Georg Tintner | B Major | 0 | 1B | 92 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM |