"Symphony No. 7 in E Major, WAB 107 (original 1885 version, ed. R. Haas): IV. Finale: Bewegt, doch nicht schnell" by Anton Bruckner, Royal Scottish National Orchestra, Georg Tintner was released on March 4, 1999. Symphony No. 7 in E Major, WAB 107 (original 1885 version, ed. R. Haas): IV. Finale: Bewegt, doch nicht schnell appears to be safe for all ages as it is not explicit. The song is number 4 out of 4 in Bruckner: Symphony No. 7, Wab 107 by Anton Bruckner, Royal Scottish National Orchestra, Georg Tintner. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Symphony No. 7 in E Major, WAB 107 (original 1885 version, ed. R. Haas): IV. Finale: Bewegt, doch nicht schnell is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 7 in E Major, WAB 107 (original 1885 version, ed. R. Haas): IV. Finale: Bewegt, doch nicht schnell by Anton Bruckner, Royal Scottish National Orchestra, Georg Tintner is Andante (at a walking pace), since this song has a tempo of 92 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valses nobles et sentimentales, M.61: 5. Presque lent - dans un sentiment intime | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | A♭ Minor | 0 | 1A | 76 BPM | ||
Piano Concerto in A Minor, Op. 54: III. Allegro vivace | Robert Schumann, Evgeny Kissin, Carlo Maria Giulini, Wiener Philharmoniker | C Major | 3 | 8B | 78 BPM | ||
Konzertstück for 4 Horns and Orchestra in F Major, Op. 86: 4本のホルンと管弦楽のためのコンツェルトシュトゥック ヘ長調作品86 第1楽章 | Robert Schumann, Paavo Järvi, Deutsche Kammerphilharmonie Bremen | F Major | 0 | 7B | 70 BPM | ||
Grande messe des morts, Op. 5, "Requiem": Rex tremendae | Hector Berlioz, Michael Schade, Toronto Mendelssohn Choir, Toronto Mendelssohn Youth Choir, Elora Festival Orchestra, Noel Edison | B♭ Major | 0 | 6B | 79 BPM | ||
Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations": Thema, "Chorale St. Antoni": Andante | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | F♯ Major | 3 | 2B | 125 BPM | ||
The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): Youth | Dmitri Shostakovich, Nikolaus Boewer, Deutsche Staatsphilharmonie Rheinland-Pfalz, Mark Fitz-Gerald | G Major | 1 | 9B | 145 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | F Major | 3 | 7B | 164 BPM | ||
Bach - Prelude and Fugue in D Major, P. 158 (after J.S. Bach's BWV 532): Prelude: Allegro - Meno mosso - Alla breve [Allegro] - Adagio - | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 143 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: II. Adagio | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | C Major | 0 | 8B | 54 BPM | ||
Pictures At An Exhibition: The Market-place At Limoges | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | E♭ Major | 3 | 5B | 106 BPM |