"Valses nobles et sentimentales, M.61: 5. Presque lent - dans un sentiment intime" by Maurice Ravel, Cleveland Orchestra, Pierre Boulez was released on January 1, 1998. With Valses nobles et sentimentales, M.61: 5. Presque lent - dans un sentiment intime being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 12 in the song's album "Ravel: Piano Concertos; Valses nobles et sentimentales". In this album, this song's track order is #8. Valses nobles et sentimentales, M.61: 5. Presque lent - dans un sentiment intime is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Valses nobles et sentimentales, M.61: 5. Presque lent - dans un sentiment intime by Maurice Ravel, Cleveland Orchestra, Pierre Boulez having a テンポ of 76 with a half-time of 38 テンポ and a double-time of 152 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
Symphony In 3 Movements: 1. Allegro | Igor Stravinsky, Berliner Philharmoniker, Pierre Boulez | G Major | 1 | 9B | 84 BPM | ||
Symphony No. 1 in B Flat Major, Op. 38 "Spring": III. Scherzo. Molto vivace | Robert Schumann, Staatskapelle Berlin, Daniel Barenboim | A♭ Major | 0 | 4B | 88 BPM | ||
Symphony No. 9 in D Minor, Op. 125 "Choral": IVa. Finale. Presto | Ludwig van Beethoven, Chamber Orchestra of Europe, Yannick Nézet-Séguin | D Major | 6 | 10B | 78 BPM | ||
Schoenberg: 6 Little Piano Pieces, Op. 19: No. 1 Leicht, zart | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A Minor | 0 | 8A | 69 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Eine Alpensinfonie: VIII. Stille vor den Sturm - Gewitter und Sturm, Abstieg - Sonnenuntergang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | F♯ Major | 2 | 2B | 73 BPM | ||
Petrouchka / Tableau II: Chez Pétrouchka | Igor Stravinsky, Cleveland Orchestra, Pierre Boulez | E Minor | 1 | 9A | 172 BPM | ||
La mer, L. 109: II. Jeux de vagues | Claude Debussy, Cleveland Orchestra, Pierre Boulez | E Major | 1 | 12B | 90 BPM | ||
Aleko: Men's Dance | Sergei Rachmaninoff, Mariana Zvetkova, Andreana Nikolova, Boiko Zvetanov, Alexander Tekeliev, Peter Naydenov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Nayden Todorov | E♭ Major | 1 | 5B | 91 BPM |