"Bach - Prelude and Fugue in D Major, P. 158 (after J.S. Bach's BWV 532): Prelude: Allegro - Meno mosso - Alla breve [Allegro] - Adagio -" by Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz was released on March 6, 2012. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 12 in Bach: Orchestral transcriptions by Respighi & Elgar by Ottorino Respighi, Gerard Schwarz. Based on our statistics, Bach - Prelude and Fugue in D Major, P. 158 (after J.S. Bach's BWV 532): Prelude: Allegro - Meno mosso - Alla breve [Allegro] - Adagio -'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach - Prelude and Fugue in D Major, P. 158 (after J.S. Bach's BWV 532): Prelude: Allegro - Meno mosso - Alla breve [Allegro] - Adagio - by Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz is Allegro (fast, quick, and bright), since this song has a tempo of 143 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola Concerto No. 1 in D Major: II. Andante moderato | Carl Stamitz, Hariolf Schlichtig, Munich Chamber Orchestra | F Major | 0 | 7B | 178 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 82 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": II. Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 1 | 4A | 84 BPM | ||
Appalachian Spring: IV. Quite Fast | Aaron Copland, Leonard Bernstein, New York Philharmonic | E Major | 3 | 12B | 127 BPM | ||
Scheherazade, Op. 35: Scheherazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Maria Larionoff, Seattle Symphony Orchestra, Gerard Schwarz | C Minor | 2 | 5A | 119 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
Symphony No. 4 In F Minor, Op. 36, TH.27: 2. Andantino in modo di canzone | Pyotr Ilyich Tchaikovsky, Wiener Philharmoniker, Herbert von Karajan | B♭ Minor | 0 | 3A | 134 BPM | ||
Pictures At An Exhibition (Orch. Ravel): 6. Samuel Goldenberg und Schmuÿle | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Minor | 1 | 11A | 114 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM |