Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra made "Symphony No. 3 in C Minor, Op. 78 "Organ": II. Allegro moderato" available on 1961. With Symphony No. 3 in C Minor, Op. 78 "Organ": II. Allegro moderato being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "Saint-Saëns: Organ Symphony; Bacchanale; Danse Macabre; Carnaval des Animaux". In this album, this song's track order is #4. Symphony No. 3 in C Minor, Op. 78 "Organ": II. Allegro moderato is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Symphony No. 3 in C Minor, Op. 78 "Organ": II. Allegro moderato by Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra having a テンポ of 84 with a half-time of 42 テンポ and a double-time of 168 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Major | 3 | 7B | 111 BPM | ||
Swan Lake: Act II, Scène, Moderato | Philadelphia Orchestra | G Major | 2 | 9B | 98 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro - | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | G Major | 0 | 9B | 127 BPM | ||
Peter and the Wolf, Op. 67: The Bird | David Bowie, Eugene Ormandy | C Major | 1 | 8B | 134 BPM | ||
Polovetsian Dances from Prince Igor: Presto I | Alexander Borodin, George Szell, Cleveland Orchestra | D Minor | 3 | 7A | 109 BPM | ||
Piano Quintet in C Minor: I. Andante | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Minor | 1 | 5A | 68 BPM | ||
Saint-Saëns: Le carnaval des animaux, R. 125: X. Volière | Renaud Capuçon, Béatrice Muthelet, Emmanuel Pahud, Esther Hoppe, Frank Braley, Gautier Capuçon, Janne Saksala | F Major | 1 | 7B | 83 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance I | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 97 BPM |