Renaud Capuçon, Béatrice Muthelet, Emmanuel Pahud, Esther Hoppe, Frank Braley, Gautier Capuçon, Janne Saksala made "Saint-Saëns: Le carnaval des animaux, R. 125: X. Volière" available on October 15, 2003. With Saint-Saëns: Le carnaval des animaux, R. 125: X. Volière being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Camille Saint-Saëns, Renaud Capuçon's "Le Carnaval des animaux" album is number 10 out of 22. Saint-Saëns: Le carnaval des animaux, R. 125: X. Volière is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Saint-Saëns: Le carnaval des animaux, R. 125: X. Volière by Renaud Capuçon, Béatrice Muthelet, Emmanuel Pahud, Esther Hoppe, Frank Braley, Gautier Capuçon, Janne Saksala to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Carnaval des Animaux, R.125: 10. Volières | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | F Major | 2 | 7B | 159 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Charlie Siem, Paul Goodwin | E Major | 1 | 12B | 95 BPM | ||
Concerto for Recorder, Oboe and 2 Violins in C Major, RV 87: III. Allegro assai | Antonio Vivaldi, László Kecskeméti, László Hadady, Attila Falvay, Katalin Parkanyi, Gyorgy Kertesz, Borbála Dobozy | C Major | 2 | 8B | 176 BPM | ||
Mazurka in A Minor, Op. 17 No. 4 | Frédéric Chopin, Khatia Buniatishvili | A Minor | 0 | 8A | 173 BPM | ||
Tchaikovsky: Pezzo capriccioso, Op. 62 | Pyotr Ilyich Tchaikovsky, Camille Berthollet, Julien Masmondet, Monte-Carlo Philharmonic Orchestra | D Major | 1 | 10B | 83 BPM | ||
6 Concerts transcrits en sextuor, Sixième concert: I. La poule | Jean-Philippe Rameau, Karol Teutsch, Orchestre Leopoldinum-wroclaw | G Minor | 2 | 6A | 107 BPM | ||
Autumn Leaves | Gautier Capuçon, Jerome Ducros | A Minor | 3 | 8A | 104 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Oboe Concerto in C: 3. Siciliana | Domenico Cimarosa, Heinz Holliger, I Musici | A Minor | 1 | 8A | 84 BPM | ||
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM |