"Salut d'amour, Op. 12" by Edward Elgar, Charlie Siem, Paul Goodwin was released on September 19, 2014. The duration of Salut d'amour, Op. 12 is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Salut d'amour, Op. 12's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Under the Stars". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. In terms of popularity, Salut d'amour, Op. 12 is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Salut d'amour, Op. 12 by Edward Elgar, Charlie Siem, Paul Goodwin having a テンポ of 95 with a half-time of 48 テンポ and a double-time of 190 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in E minor, Op.85: 3. Adagio | Edward Elgar, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | B♭ Major | 1 | 6B | 79 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Rêverie, L. 68: Rêverie | Claude Debussy, Jean-Yves Thibaudet | G Minor | 0 | 6A | 69 BPM | ||
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
Du bist die Ruh', D. 776 (Transc. for Cello & Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | B♭ Major | 0 | 6B | 171 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Quintet in A Major for Clarinet and Strings, K. 581: II. Larghetto | Endres Quartet, Jost Michaels | D Major | 0 | 10B | 74 BPM | ||
Wiegenlied, Op.49, No.4 | Johannes Brahms, Mischa Maisky, Pavel Gililov | F Major | 0 | 7B | 82 BPM | ||
String Quartet No. 5 in F Minor, Op. 9, B. 37: II. Andante con moto quasi allegretto | Antonín Dvořák, Vlach Quartet Prague | A♭ Major | 1 | 4B | 132 BPM |