Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit made "Le Carnaval des Animaux, R.125: 10. Volières" available on January 1, 1980. With Le Carnaval des Animaux, R.125: 10. Volières being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Saint-Saëns: Le Carnaval des Animaux; Phaéton; Danse Macabre etc.". In this album, this song's track order is #10. Based on our statistics, Le Carnaval des Animaux, R.125: 10. Volières's popularity is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Le Carnaval des Animaux, R.125: 10. Volières by Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit having a テンポ of 159 with a half-time of 80 テンポ and a double-time of 318 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with running. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
Gnossiennes: No. 4 | Erik Satie, Pascal Rogé | C Major | 0 | 8B | 71 BPM | ||
Carmen Suite No.2: La garde montante | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | D Minor | 1 | 7A | 116 BPM | ||
6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: II. Romanza: Larghetto | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | B♭ Major | 0 | 6B | 83 BPM | ||
Serenade for strings in E Minor, Op. 20 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 81 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): They all march together, Peter, then the Hunters with the Wolf | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 108 BPM | ||
Tarentelle, Op. 6: Tarantelle, Op. 6 | Camille Saint-Saëns, Joanna G'froerer, Kimball Sykes, Stephane Lemelin | G Major | 1 | 9B | 91 BPM | ||
Italian Polka | Sergei Rachmaninoff, Brigitte Engerer, Oleg Maisenberg | E♭ Major | 1 | 5B | 103 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Raymonda, Act I: Prelude et Variation | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | B Major | 0 | 1B | 104 BPM |