Jean-Philippe Rameau, Karol Teutsch, Orchestre Leopoldinum-wroclaw's '6 Concerts transcrits en sextuor, Sixième concert: I. La poule' came out on September 1, 1992. 6 Concerts transcrits en sextuor, Sixième concert: I. La poule is about six minutes long, preciously at 6:24, making this song fairly long compared to other songs. The track order of this song in Karol Teutsch, Orchestre Leopoldinum-wroclaw's "La grande sarabande de Handel" album is number 7 out of 10. In terms of popularity, 6 Concerts transcrits en sextuor, Sixième concert: I. La poule is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 6 Concerts transcrits en sextuor, Sixième concert: I. La poule by Jean-Philippe Rameau, Karol Teutsch, Orchestre Leopoldinum-wroclaw to be Andante (at a walking pace) because the track has a tempo of 107 テンポ, a half-time of 54テンポ, and a double-time of 214 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in C Major, Op. 1, No. 6, (Callen 6): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 143 BPM | ||
Boccherini: Cello Concerto No. 7 in G Major, G. 480: I. Allegro | Luigi Boccherini, Steven Isserlis, Ostrobothnian Chamber Orchestra, Juha Kangas | F Major | 5 | 7B | 107 BPM | ||
Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 73 BPM | ||
Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: III. Finale Allegro molto | Franz Joseph Haydn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | E Minor | 3 | 9A | 84 BPM | ||
Piano Concerto No. 4 in G Minor: II. Largo | Giovanni Paisiello, Francesco Nicolosi, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | C Minor | 1 | 5A | 180 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
Cello Concerto In B Flat: 3. Rondo (Allegro) | Luigi Boccherini, Jian Wang, Camerata Salzburg | B♭ Major | 1 | 6B | 137 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Oboe Concerto in B-Flat Major, Wq. 164, H. 466: I. Allegretto | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | B♭ Major | 1 | 6B | 131 BPM | ||
Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto | Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 3 | 7A | 82 BPM |