Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra made "Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto" available on December 4, 2015. The duration of Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Roots". In this album, this song's track order is #2. Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto by Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Tic-Toc-Choc ou Les Maillotins (18e ordre) | François Couperin, Alexandre Tharaud | F Major | 3 | 7B | 133 BPM | ||
The Fairy Queen, Z. 629: Prelude | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | F♯ Minor | 4 | 11A | 113 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Violin Concerto in D Minor, Op. 7 No. 1: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | D♭ Minor | 2 | 12A | 173 BPM | ||
Roumanian Folk Dances For Orchestra, Sz. 68 - Trans.For String Orchestra Arthur Willner: Romanian Folk Dances | Béla Bartók, Stuttgart Chamber Orchestra, Dennis Russell Davies | D Major | 1 | 10B | 138 BPM | ||
Musique de table, Part III: Oboe Sonata in G Minor, TWV 41:g6: II. Presto: Tempo giusto | Georg Philipp Telemann, Heather Foxwell, Orchestra of the Golden Age | G Major | 0 | 9B | 119 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Concerto for Treble Recorder, Strings and Continuo in C: 4. Tempo di Minuet | Georg Philipp Telemann, New London Consort, Philip Pickett | F♯ Major | 1 | 2B | 131 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement | Marin Marais, Mieneke van der Velden, Glen Wilson | E♭ Minor | 0 | 2A | 120 BPM |