Marin Marais, Mieneke van der Velden, Glen Wilson made "Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement" available on January 1, 2006. The duration of Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marin Marais, Mieneke van der Velden, Glen Wilson's "Marais: Pièces de viole" album is number 1 out of 22. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement by Marin Marais, Mieneke van der Velden, Glen Wilson to be Moderato (at a moderate speed) because the track has a tempo of 120 テンポ, a half-time of 60テンポ, and a double-time of 240 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Indes galantes, RCT 44, Nouvelle entrée, Les sauvages, Scène VI: Chaconne | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 2 | 3B | 114 BPM | ||
Symphony in C Major, Op. 1, No. 6, (Callen 6): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 143 BPM | ||
Violin Sonata in A Major, Op. 5 No. 6: III. Allegro | Arcangelo Corelli, Enrico Onofri | G Major | 3 | 9B | 116 BPM | ||
Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | ||
Les Indes Galantes - Musette en Rondeau | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | F♯ Major | 2 | 2B | 0 BPM | ||
Keyboard Sonata in A Major, Wq. 54/6, H. 207: I. Allegro di molto | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Major | 1 | 11B | 0 BPM | ||
Pièces de violes, Livre IV: Gigue II | Marin Marais, Gerald Stempfel, Thorsten Bleich | A♭ Minor | 1 | 1A | 94 BPM | ||
Mystery (Rosary) Sonata No. 9, "Jesus Carries the Cross": I. Sonata | Heinrich Ignaz Franz von Biber, Bjarte Eike, Milos Valent | A♭ Minor | 1 | 1A | 122 BPM | ||
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
12 Violin Concertos, Op. 8 "Il cimento dell'armonia e dell'inventione" / Concerto No. 4 in F Minor for solo violin, RV297 "L'Inverno": 3. Allegro | Antonio Vivaldi, Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Maarten Jansen, Stacey Watton, Liz Kenny, Jan Jansen | F Minor | 2 | 4A | 87 BPM |