"Grande messe des morts, Op. 5, "Requiem": Rex tremendae" by Hector Berlioz, Michael Schade, Toronto Mendelssohn Choir, Toronto Mendelssohn Youth Choir, Elora Festival Orchestra, Noel Edison was released on June 18, 1999. Grande messe des morts, Op. 5, "Requiem": Rex tremendae is about six minutes long, preciously at 6:10, making this song fairly long compared to other songs. The song is number 4 out of 10 in Berlioz: Requiem, Op. 5 by Hector Berlioz. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Grande messe des morts, Op. 5, "Requiem": Rex tremendae is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Grande messe des morts, Op. 5, "Requiem": Rex tremendae by Hector Berlioz, Michael Schade, Toronto Mendelssohn Choir, Toronto Mendelssohn Youth Choir, Elora Festival Orchestra, Noel Edison is Andante (at a walking pace), since this song has a tempo of 79 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Three Hermits: Pilgrims' Hymn | Stephen Paulus, Choir of St John's, Elora, Noel Edison | F♯ Major | 0 | 2B | 129 BPM | ||
Psalm 121, "I will lift up mine eyes unto the hills" | Herbert Howells, Matthew Larkin, Choir of St John's, Elora, Noel Edison | D♭ Major | 0 | 3B | 62 BPM | ||
H.M.S. Pinafore, Act I: Finale. Can I Survive This Overbearing? | Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Orchestra, Welsh National Opera Chorus, Richard Stuart, Thomas Allen, Michael Schade, Rebecca Evans, Felicity Palmer, Donald Adams, Richard van Allan, Valerie Seymour, John King, Philip Lloyd Evans | E Major | 1 | 12B | 112 BPM | ||
Die Schopfung (The Creation), Hob.XXI:2: Aria: Rollend in schaumenden Wellen (Bass) | Franz Joseph Haydn, Christine Schäfer, Michael Schade, Andreas Schmidt, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | D Major | 1 | 10B | 135 BPM | ||
Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht | Gustav Mahler, Christian Gerhaher, Kent Nagano, Orchestre Symphonique de Montréal | B♭ Major | 0 | 6B | 81 BPM | ||
May Night: Sleep, my beauty [Kak tikho, ka prokhladno] (Act III) | Nicolai Gedda, Gervase De Peyer, Belgrade Philharmonic Orchestra | F♯ Minor | 2 | 11A | 88 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Veni creator spiritus" | Gustav Mahler, Vienna State Opera Chorus, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 5 | 4B | 132 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: III. Herr, lehre doch mich | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | D Major | 2 | 10B | 67 BPM | ||
Die Schöpfung, Hob. XXI:2 / Erster Teil: No. 3 Arie mit Chor: "Nun schwanden vor dem heiligen Strahle" / "Verzweiflung, Wut und Schrecken" (Uriel) | Franz Joseph Haydn, Michael Schade, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir | B♭ Major | 3 | 6B | 118 BPM | ||
Leonardo Dreams of His Flying Machine | Eric Whitacre, Elora Festival Singers, Carol Bauman, Noel Edison | F Major | 0 | 7B | 150 BPM |