Marilyn Hill Smith, Patricia Cameron, Simon Masterson Smith's 'The Pirates of Penzance: When the Foe-Man Bares His Steel' came out on November 1, 1991. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 30 in the song's album "The Pirates of Penzance (New D'Oyly Carte Opera Company Cast Recording)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. The Pirates of Penzance: When the Foe-Man Bares His Steel is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Pirates of Penzance: When the Foe-Man Bares His Steel by Marilyn Hill Smith, Patricia Cameron, Simon Masterson Smith having a テンポ of 59 with a half-time of 30 テンポ and a double-time of 118 テンポ, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Mikado: The Flowers That Bloom In the Spring | Bonaventura Bottone, Eric Idle, Lesley Garrett, Richard van Allan | E♭ Major | 2 | 5B | 109 BPM | ||
Peter and the Wolf, Op. 67: XII. The Bird Distracts the Wolf | Sergei Prokofiev, Kent Nagano, Sophia Loren, Russian National Orchestra | C Major | 1 | 8B | 111 BPM | ||
The Yeomen of the Guard (or, The Merryman and his Maid) (1987 - Remaster), Act I: Tower warders, under orders (People, Yeomen of the Guard, Second Yeoman) | Arthur Sullivan, Alexander Young/John Carol Case/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra | C Major | 2 | 8B | 78 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: VII. Con queste paroline. (Allegro - alla breve) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, Matthew Rose | G Minor | 0 | 6A | 140 BPM | ||
Marschner: Hans Heiling, Op. 80: "Gönne mir ein wort der Liebe" (Konrad) | Heinrich Marschner, Michael Spyres, Christophe Rousset, Les Talens Lyriques | G Major | 1 | 9B | 62 BPM | ||
Die Entführung aus dem Serail, K. 384, Act II: Ach Belmonte! Ach, mein Leben! - Remastered 2024 | Wolfgang Amadeus Mozart, Wilma Lipp, Walther Ludwig, Peter Klein, Emmy Loose, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
Glamorous Night | Ivor Novello, Stuart Barry, Chandos Concert Orchestra, Marilyn Hill Smith, Gordon Langford | E♭ Major | 1 | 5B | 87 BPM | ||
Deep In My Heart Reprise | David Rendall, Marilyn Hill Smith, Ambrosian Chorus, Philharmonia Orchestra | C Major | 5 | 8B | 98 BPM | ||
Otello: Assisa a’ piè d’un salice | Gioachino Rossini, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
Puts: The Hours, Act 2: "Mm... ’Stead of Jousting You’d Rather…" (Mrs. Latch, Richie, Laura, Clarissa, Virginia, Leonard, Nelly) [Live] | Kevin Puts, Yannick Nézet-Séguin, Eve Gigliotti, Joyce DiDonato, Kai Edgar, Kathleen Kim, Kelli O'Hara, Renée Fleming, Sean Panikkar, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM |