"Marschner: Hans Heiling, Op. 80: "Gönne mir ein wort der Liebe" (Konrad)" by Heinrich Marschner, Michael Spyres, Christophe Rousset, Les Talens Lyriques was released on March 1, 2024. Marschner: Hans Heiling, Op. 80: "Gönne mir ein wort der Liebe" (Konrad) is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. The track order of this song in Michael Spyres, Christophe Rousset, Les Talens Lyriques, Gaspare Spontini, Giacomo Meyerbeer, Gioachino Rossini, Ludwig van Beethoven, Richard Wagner's "In the Shadows" album is number 9 out of 12. On top of that, United Kingdom appears to be the country where this track was created. Marschner: Hans Heiling, Op. 80: "Gönne mir ein wort der Liebe" (Konrad) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Marschner: Hans Heiling, Op. 80: "Gönne mir ein wort der Liebe" (Konrad) by Heinrich Marschner, Michael Spyres, Christophe Rousset, Les Talens Lyriques to be Larghetto (rather broadly) because the track has a tempo of 62 テンポ, a half-time of 31テンポ, and a double-time of 124 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grieg: Old Norwegian Romance with Variations, Op. 51: IX. Andante (Orchestral Version) | Edvard Grieg, Paavo Berglund, Bournemouth Symphony Orchestra | E♭ Minor | 1 | 2A | 110 BPM | ||
String Quartet in G minor | Antonios Fotopoulos, Antonis Fotopoulos | A♭ Major | 0 | 4B | 58 BPM | ||
Symphony No. 2, Op. 52, "Lobgesang": I. Sinfonia: III. Adagio religioso | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
The Seasons, Op. 67, Pt. 1 "L'hiver": No. 5, Variation de la grêle | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
2 Sketches: A Northern Dance | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 2 | 8A | 136 BPM | ||
Symphony Fantastique in C Major, Op 14: III. Scene aux champs - Adagio | Hector Berlioz, Alberto Lizzio, Süddeutsche Philharmonie | F Major | 1 | 7B | 73 BPM | ||
Glück: I. Andante | Siegfried Wagner, Rundfunk-Sinfonieorchester Frankfurt, Dimitrij Kitajenko | A Minor | 0 | 8A | 86 BPM | ||
Symphony No. 8: II. Andante grazioso | Paul von Klenau, Singapore Symphony Orchestra, Hans Graf | G Major | 0 | 9B | 76 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Finale. Allegro brillante [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | D Major | 1 | 10B | 68 BPM | ||
Symphonie No. 1 en Ré Majeur, Op. 25 "Classique": III. Gavotta, Non troppo allegro | Sergei Prokofiev, Bournemouth Symphony Orchestra, Kirill Karabits | D Major | 0 | 10B | 127 BPM |