"Symphony No. 2, Op. 52, "Lobgesang": I. Sinfonia: III. Adagio religioso" by Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi was released on March 15, 2024. Symphony No. 2, Op. 52, "Lobgesang": I. Sinfonia: III. Adagio religioso is about six minutes long, preciously at 5:57, making this song fairly long compared to other songs. The track order of this song in Felix Mendelssohn, Paavo Järvi, Tonhalle-Orchester Zürich's "Mendelssohn: Symphonies" album is number 3 out of 36. On top of that, France appears to be the country where this track was created. Symphony No. 2, Op. 52, "Lobgesang": I. Sinfonia: III. Adagio religioso is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 2, Op. 52, "Lobgesang": I. Sinfonia: III. Adagio religioso by Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi to be Adagio (slowly with great expression) because the track has a tempo of 72 テンポ, a half-time of 36テンポ, and a double-time of 144 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia In F Major, Wq. 183/3, H. 665: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Suite italienne (Arranged for String Orchestra, Harpsichord and Violin by Andreas Fleck): III. Tarantella. Vivace | Igor Stravinsky, Jonian Ilias Kadesha, CHAARTS Chamber Artists | F Major | 4 | 7B | 107 BPM | ||
Symphony No. 2 in C minor, Op. 29: I. Andante | Alexander Scriabin, Brussels Philharmonic, Kazushi Ono | A♭ Major | 1 | 4B | 80 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Variation 4 | Carl Maria von Weber, Michael Endres | F Major | 1 | 7B | 111 BPM | ||
Symphony No. 97 in C Major, Hob. I:97: I. Adagio - Vivace | Joseph Haydn, Danish Chamber Orchestra, Ádám Fischer | F Major | 1 | 7B | 79 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | C Major | 1 | 8B | 78 BPM | ||
The Seven Last Words of our Saviour on the Cross, Op. 51 (Hob.III. 50-56): 9. Il Terremoto (Presto e con tutta la forza) | Joseph Haydn, Berliner Philharmoniker, Riccardo Muti | F Minor | 1 | 4A | 62 BPM | ||
Symphony No. 2 in C minor, Op. 29: II. Allegro | Alexander Scriabin, Brussels Philharmonic, Kazushi Ono | C Major | 3 | 8B | 78 BPM | ||
Symphony No. 1 in E-Flat Major, Op. 2: II. Marche-Scherzo. Allegretto scherzando | Camille Saint-Saëns, Thierry Fischer, Utah Symphony Orchestra | D Major | 0 | 10B | 116 BPM | ||
Symphony No. 9 in D Minor, WAB 109 (1894 Version, Ed. L. Nowak): II. Scherzo. Bewegt, lebhaft | Anton Bruckner, Bamberg Symphony, Jakub Hrůša | D Major | 1 | 10B | 134 BPM |