"Symphony No. 2 in C minor, Op. 29: II. Allegro" by Alexander Scriabin, Brussels Philharmonic, Kazushi Ono was released on April 5, 2024. Since Symphony No. 2 in C minor, Op. 29: II. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 5 in the song's album "Scriabin: Symphony 2". In this album, this song's track order is #2. Symphony No. 2 in C minor, Op. 29: II. Allegro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 2 in C minor, Op. 29: II. Allegro by Alexander Scriabin, Brussels Philharmonic, Kazushi Ono having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bruckner: Symphony No. 7 in E Major, WAB 107: IV. Finale. Bewegt, doch nicht schnell | Anton Bruckner, Nikolaus Harnoncourt, Wiener Philharmoniker | F Major | 0 | 7B | 134 BPM | ||
Verklärte Nacht, Op. 4 (version for string orchestra): Poco adagio [Transfigured Night] | Arnold Schoenberg, Ulster Orchestra, Takuo Yuasa | G Major | 1 | 9B | 89 BPM | ||
Petrushka, K12 (1947 Version): IIIc. Waltz. The Ballerina and the Moor | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
2 Impromptus, Op. 10: No. 1 in F-Sharp Minor | Alexander Scriabin, Gordon Fergus-Thompson | F♯ Minor | 0 | 11A | 76 BPM | ||
Massenet: Don Quichotte, Act 2: Interlude | Jules Massenet, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: III. Of the Great Longing | Richard Strauss, Wolfgang Sawallisch, Michael Stairs, Philadelphia Orchestra | D Major | 0 | 10B | 65 BPM | ||
The Seven Stars' Symphony, Op. 132: II. Lilian Harvey | Charles Koechlin, Sinfonieorchester Basel, Ariane Matiakh | D♭ Major | 1 | 3B | 81 BPM | ||
Paria, Act I (Ed. Włodzimierz Ormicki): Introduction | Stanisław Moniuszko, Poznań Opera House Orchestra, Jacek Kaspszyk | C Major | 0 | 8B | 99 BPM | ||
Concert Suite from the opera 'The Golden Cockerel': I. Introduction and Dodon's sleep | Bournemouth Symphony Orchestra, Paavo Berglund | D♭ Major | 1 | 3B | 91 BPM | ||
Dvořák: Symphonic Variations in C Major, Op. 78, B. 70: Variations VII & VIII | Antonín Dvořák, Wolfgang Sawallisch, Philadelphia Orchestra | C Major | 0 | 8B | 96 BPM |