"Grieg: Old Norwegian Romance with Variations, Op. 51: IX. Andante (Orchestral Version)" by Edvard Grieg, Paavo Berglund, Bournemouth Symphony Orchestra was released on November 25, 2005. With Grieg: Old Norwegian Romance with Variations, Op. 51: IX. Andante (Orchestral Version) being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Edvard Grieg, Sir John Barbirolli, Sir Thomas Beecham's "Grieg: Orchestral Works" album is number 17 out of 49. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Grieg: Old Norwegian Romance with Variations, Op. 51: IX. Andante (Orchestral Version) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Grieg: Old Norwegian Romance with Variations, Op. 51: IX. Andante (Orchestral Version) by Edvard Grieg, Paavo Berglund, Bournemouth Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 110 テンポ, a half-time of 55テンポ, and a double-time of 220 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen-Suite Nr.1 und Nr.2 (excerpts), Nr.1: Prélude | Georges Bizet, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | B♭ Major | 1 | 6B | 115 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Var. XIII (***): Romanza | Edward Elgar, Bournemouth Symphony Orchestra, George Hurst | C Minor | 2 | 5A | 107 BPM | ||
L'ambassadrice, AWV 28: Overture | Daniel Auber, Karlovy Vary Symphony Orchestra, Dario Salvi | F Major | 0 | 7B | 87 BPM | ||
El amor brujo (Love, the Magician): En la cueva: La noche (In the Cave: The Night) | Manuel de Falla, Alicia Nafé, Asturias Symphony Orchestra, Maximiano Valdes | A♭ Major | 0 | 4B | 89 BPM | ||
Hungarian Folkdance Suite, Op. 18: I. Allegro risoluto e ben marcato | Leó Weiner, Neeme Järvi, Philharmonic Orchestra, Hugh Bean | D Major | 2 | 10B | 134 BPM | ||
Tosca, SC 69, Act I: Perché chiuso? - Qual occhio - Mia gelosa! | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | A♭ Major | 0 | 4B | 71 BPM | ||
Romeo and Juliet, Op. 64: No. 2 Romeo | Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | C Major | 0 | 8B | 131 BPM | ||
Ballet Suite No. 1 (arr. L. Atovmyan): Galop (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | A Major | 4 | 11B | 162 BPM | ||
12 Songs, Op. 21: VII. Zdes' Khorosho (Orchestral Version) | Sergei Rachmaninoff, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A Major | 0 | 11B | 76 BPM | ||
Variations on a theme by Haydn, Op. 56a "St. Anthony Variations": Finale | Johannes Brahms, Pittsburgh Symphony Orchestra, Marek Janowski | C Major | 1 | 8B | 60 BPM |