"Carmen-Suite Nr.1 und Nr.2 (excerpts), Nr.1: Prélude" by Georges Bizet, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner was released on December 31, 1985. With Carmen-Suite Nr.1 und Nr.2 (excerpts), Nr.1: Prélude being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 15 in Barcarole - Beliebte Orchesterstücke by Sir Neville Marriner, Radio Sinfonieorchester Stuttgart, Sir Neville Marriner, Radio-Sinfonieorchester Stuttgart. In terms of popularity, Carmen-Suite Nr.1 und Nr.2 (excerpts), Nr.1: Prélude is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen-Suite Nr.1 und Nr.2 (excerpts), Nr.1: Prélude by Georges Bizet, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner is Moderato (at a moderate speed), since this song has a tempo of 115 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aschenbrödel, Act I (Reconstructed by M. Rot): Vorspiel | Johann Strauss II, Vienna Radio Symphony Orchestra, Ernst Theis | A♭ Major | 1 | 4B | 91 BPM | ||
Carmen (1997 - Remaster), Act I: Carmen! sur tes pas | Georges Bizet, Maria Callas, Nicolai Gedda, Choeurs Rene Duclos, Choeurs D'Enfants Jean Pesneaud, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | A Minor | 1 | 8A | 84 BPM | ||
Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden | G Minor | 3 | 6A | 115 BPM | ||
Polovtsian Dances from Prince Igor: II. Introduzione. Andantino | Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim | A Major | 4 | 11B | 184 BPM | ||
Girls Love Liars | Hollers Gang | E Major | 1 | 12B | 50 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Le roi s'amuse: Scene du bouquet | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | F♯ Minor | 0 | 11A | 136 BPM | ||
Die Gottin der Vernunft: Overture | Johann Strauss II, Veronika Groiss, Manfred Equiluz, Kirlianit Cortes, Franz Fodinger, Isabella Ma-Zach, Wolfgang Veith, Eva-Maria Kumpfmuller, Andreas Mittermeier, Nicolas Legoux, Vienna Private University Conservatory Students, Slovak Sinfonietta, Zilina, Christian Pollack | D Major | 1 | 10B | 111 BPM | ||
Die Entführung aus dem Serail, K.384: Overture | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 2 | 9B | 77 BPM | ||
Carmen (1997 - Remaster), Act II: Entr'acte | Georges Bizet, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | E♭ Major | 0 | 5B | 72 BPM |