"El amor brujo (Love, the Magician): En la cueva: La noche (In the Cave: The Night)" by Manuel de Falla, Alicia Nafé, Asturias Symphony Orchestra, Maximiano Valdes was released on May 1, 2005. The duration of El amor brujo (Love, the Magician): En la cueva: La noche (In the Cave: The Night) is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. El amor brujo (Love, the Magician): En la cueva: La noche (In the Cave: The Night)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 22 in Falla: Amor Brujo (El) / El Sombrero De Tres Picos by Manuel de Falla, Maximiano Valdes. El amor brujo (Love, the Magician): En la cueva: La noche (In the Cave: The Night) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of El amor brujo (Love, the Magician): En la cueva: La noche (In the Cave: The Night) by Manuel de Falla, Alicia Nafé, Asturias Symphony Orchestra, Maximiano Valdes is Andante (at a walking pace), since this song has a tempo of 89 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Andante | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 173 BPM | ||
Melody from « Orfeo » | Christoph Willibald Gluck, Roberto Giordano | G Minor | 2 | 6A | 115 BPM | ||
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
Nana | Manuel de Falla, Martin Fröst, Royal Stockholm Philharmonic Orchestra | A Minor | 0 | 8A | 113 BPM | ||
Noches en los jardines de España: II. Danza lejana. Allegretto giusto | Manuel de Falla, Javier Perianes | D Minor | 1 | 7A | 140 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Valses poeticos: No. 1. Melodic Waltz | Enrique Granados, Douglas Riva | E♭ Major | 0 | 5B | 78 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, Heath Quartet | A Minor | 1 | 8A | 82 BPM |