Sergei Prokofiev, Kent Nagano, Sophia Loren, Russian National Orchestra's 'Peter and the Wolf, Op. 67: XII. The Bird Distracts the Wolf' came out on 2003. With Peter and the Wolf, Op. 67: XII. The Bird Distracts the Wolf being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Prokofiev: Peter and the Wolf". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Peter and the Wolf, Op. 67: XII. The Bird Distracts the Wolf is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Peter and the Wolf, Op. 67: XII. The Bird Distracts the Wolf by Sergei Prokofiev, Kent Nagano, Sophia Loren, Russian National Orchestra having a テンポ of 111 with a half-time of 56 テンポ and a double-time of 222 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beethoven: Fidelio, Op. 72: "Gott! Welch Dunkel hier!" - "In des Lebens" (Florestan) | Ludwig van Beethoven, Michael Spyres, Christophe Rousset, Les Talens Lyriques | F Minor | 1 | 4A | 102 BPM | ||
Puccini: La rondine, Act 1: "Chi il bel sogno di Doretta" (Magda) | Giacomo Puccini, Kiri Te Kanawa, Kent Nagano, Orchestre de l'Opéra de Lyon | F Major | 2 | 7B | 168 BPM | ||
25 Études faciles et progressives, Op. 100: No. 23, Retour | Franz Burgmüller, The Gerst Ensemble | B♭ Major | 0 | 6B | 63 BPM | ||
Symphony No. 5 in E-flat major, Op. 82: II. Andante mosso, quasi allegretto | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | G Major | 0 | 9B | 129 BPM | ||
Orchestral Variations - 'The Seeds Long Hidden': Variation 5 | Anthony Payne, BBC Symphony Orchestra, Martyn Brabbins | B♭ Minor | 1 | 3A | 73 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: IV. Andantino – Allegro | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Prologue: Chorus of Exiled Palestinians | John Adams, Kent Nagano, The Opera De Lyon, London Opera Chorus | F Minor | 0 | 4A | 90 BPM | ||
Patience / Act 1: Am I alone and unobserved? | Arthur Sullivan, John Reed, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey | B Minor | 1 | 10A | 137 BPM | ||
Piano Concerto No. 3 in C Major, Op. 144: II. Largo | Carl Reinecke, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | A♭ Major | 0 | 4B | 58 BPM | ||
Kapitel 17 - Folge 42: Der Sandmann | Gruselkabinett, Marius Claren, Tanya Kahana, Marcel Colle, Ernst Theodor Amadeus Hoffmann | C Major | 6 | 8B | 120 BPM |