"Piano Concerto No. 3 in C Major, Op. 144: II. Largo" by Carl Reinecke, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas was released on May 17, 2024. Since Piano Concerto No. 3 in C Major, Op. 144: II. Largo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Since Reinecke: Piano Concerto No. 3 in C Major, Op. 144: II. Largo only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United Kingdom. Piano Concerto No. 3 in C Major, Op. 144: II. Largo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 3 in C Major, Op. 144: II. Largo by Carl Reinecke, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas having a テンポ of 58 with a half-time of 29 テンポ and a double-time of 116 テンポ, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Tempest: Suite No. 2, Op. 109: VII. The Naiads | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | C Major | 1 | 8B | 70 BPM | ||
Sounds of joy | Alejandro Llovet Abascal | C Major | 3 | 8B | 88 BPM | ||
Turandot, SC 91, Act III: Nessun dorma! | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | D Major | 1 | 10B | 135 BPM | ||
Petrushka, K12 (1947 Version): Ib. Russian Dance | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
Symphony No. 2: I. Sostenuto - Allegro molto | Kurt Weill, Konzerthausorchester Berlin, Joana Mallwitz | F Minor | 2 | 4A | 169 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 1: Prelude | Edward Elgar, Gabrieli, Paul McCreesh | D Major | 0 | 10B | 85 BPM | ||
Bilder aus Osten, Op. 66 (Arr. for String Orchestra by Friedrich Hermann): II. Nicht schnell und sehr gesangvoll zu spielen | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM | ||
Orchestral Suite No. 2, Op. 11: III. Kehtolaulu. Andante semplice | Helvi Leiviskä, Dalia Stasevska, Sinfonia Lahti | A Minor | 0 | 8A | 85 BPM | ||
Suite De Trois Morceaux, Op. 116 | Benjamin Godard, Samuel Sanders, Paula Robison | G Major | 1 | 9B | 82 BPM | ||
Piano Concerto No. 3 in C Major, Op. 144: III. Finale. Allegro vivace e grazioso | Carl Reinecke, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | C Major | 1 | 8B | 64 BPM |