"Symphony No. 2: I. Sostenuto - Allegro molto" by Kurt Weill, Konzerthausorchester Berlin, Joana Mallwitz was released on June 14, 2024. Since Symphony No. 2: I. Sostenuto - Allegro molto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Since Weill: Symphony No. 2: I. Sostenuto - Allegro molto only contains only one song in the album, we like to consider this song as a single. Based on our data, Germany was the country where this track was produced or recorded. The popularity of Symphony No. 2: I. Sostenuto - Allegro molto is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Symphony No. 2: I. Sostenuto - Allegro molto by Kurt Weill, Konzerthausorchester Berlin, Joana Mallwitz has a tempo of 169 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Symphony No. 2: I. Sostenuto - Allegro molto being at 169 テンポ, the half-time would be 84 テンポ with a double-time of 338 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in E Minor Op. 64: 3. Valse. Allegro moderato | Pyotr Ilyich Tchaikovsky, Ken-Ichiro Kobayashi, Kobaken And His Friends Orchestra | A Major | 1 | 11B | 135 BPM | ||
Der Silbersee: Act I: Nr. 2 Wir tragen den Hunger | Kurt Weill, Markus Stenz, London Sinfonietta | D Major | 0 | 10B | 124 BPM | ||
Symphony No. 5 in F Major, Op. 76, B. 54: III. Allegro scherzando | Antonín Dvořák, Karlovy Vary Symphony Orchestra, Radomil Eliška | B♭ Major | 1 | 6B | 123 BPM | ||
Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): I. My Ship: Andante misterioso | Kurt Weill, Robert Russell Bennett, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 0 | 8B | 73 BPM | ||
Suite from Mam'zelle Angot (Arranged and Orchestrated by Gordon Jacob), Act I: No. 1, Allegro | Alexandre Lecocq, Estonian National Symphony Orchestra, Neeme Järvi | F Minor | 1 | 4A | 135 BPM | ||
Concertante Variationen über ein Thema von Beethoven für Klavier und Orchester: III. Ruhig fließend - Arr. For 2 Hands by Friedrich Wührer | Franz Schmidt, Friedrich Wührer, Ragna Schirmer, Andrey Boreyko, Hamburg Symphony Orchestra | F♯ Minor | 2 | 11A | 107 BPM | ||
Symphony No. 9 in D Major: I. Andante comodo: No. 7, Wie von Anfang | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D♭ Major | 0 | 3B | 86 BPM | ||
Symphony No. 6 in E-Flat Minor, Op. 111: III. Vivace | Sergei Prokofiev, The Cleveland Orchestra, Franz Welser-Möst | A♭ Major | 1 | 4B | 147 BPM | ||
Die Dreigroschenoper: Salomon-Song | Kurt Weill, Rolf Boysen, Milva, Rias-Sinfonietta Berlin, John Mauceri | G Major | 0 | 9B | 84 BPM | ||
Piano Concerto No. 2: Lento | George Lloyd, Martin Roscoe, BBC Philharmonic | D Major | 0 | 10B | 62 BPM |