"Beethoven: Fidelio, Op. 72: "Gott! Welch Dunkel hier!" - "In des Lebens" (Florestan)" by Ludwig van Beethoven, Michael Spyres, Christophe Rousset, Les Talens Lyriques had its release date on March 1, 2024. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Michael Spyres, Christophe Rousset, Les Talens Lyriques, Gaspare Spontini, Giacomo Meyerbeer, Gioachino Rossini, Ludwig van Beethoven, Richard Wagner's "In the Shadows" album is number 2 out of 12. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Beethoven: Fidelio, Op. 72: "Gott! Welch Dunkel hier!" - "In des Lebens" (Florestan) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Beethoven: Fidelio, Op. 72: "Gott! Welch Dunkel hier!" - "In des Lebens" (Florestan) by Ludwig van Beethoven, Michael Spyres, Christophe Rousset, Les Talens Lyriques to be Andante (at a walking pace) because the track has a tempo of 102 テンポ, a half-time of 51テンポ, and a double-time of 204 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Four Last Songs, TrV 296 (Arr. for Piano and Soprano by Max Wolff): I. Frühling | Richard Strauss, Asmik Grigorian, Markus Hinterhäuser | E♭ Major | 0 | 5B | 69 BPM | ||
Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto - Live | Ludwig van Beethoven, BBC Northern Orchestra, Pierre Monteux | D Minor | 3 | 7A | 77 BPM | ||
5 mélodies populaires grecques: No. 3, Quel galant m'est comparable | Radio Bratislava Symphony Orchestra, Paulina Stark, Dennis Burkh | G Major | 1 | 9B | 0 BPM | ||
Verdi: Otello: Atto Secondo: Dove guardi splendono | Giuseppe Verdi, Jonas Kaufmann, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E Minor | 0 | 9A | 82 BPM | ||
Strauss, R: Mädchenblumen, Op. 22: No. 4, Wasserrose | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Akt I: Zum letzten Liebesmahle gerüstet Tag für Tag | Richard Wagner, Georg Zeppenfeld, Philippe Jordan | A♭ Major | 1 | 4B | 76 BPM | ||
Beethoven: Fidelio, Op. 72: "Gott! Welch Dunkel hier!" - "In des Lebens" (Florestan) | Ludwig van Beethoven, Michael Spyres, Christophe Rousset, Les Talens Lyriques | F Minor | 1 | 4A | 102 BPM | ||
Le songe d'une nuit d'été, Act I: Le voir ainsi (Élisabeth) | Ambroise Thomas, Jodie Devos, Brussels Philharmonic, Pierre Bleuse | B Major | 3 | 1B | 86 BPM | ||
La Sonnambula / Act 1: Tutto è gioia, tutto è festa | Vincenzo Bellini, Isobel Buchanan, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 4 | 4B | 86 BPM | ||
Lehár: Giuditta: "In einem Meer von Liebe" (Giuditta, Chor) | Franz Lehár, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner, Ambrosian Opera Chorus | E Major | 3 | 12B | 118 BPM |