"La Bohème / Act 4: "Oh Dio! Mimì!"" by Giacomo Puccini, Gianni Maffeo, Mirella Freni, Luciano Pavarotti, Elizabeth Harwood, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1973. La Bohème / Act 4: "Oh Dio! Mimì!" is about six minutes long, preciously at 6:01, making this song fairly long compared to other songs. There are a total of 31 in the song's album "Puccini: La Bohème". In this album, this song's track order is #15. In terms of popularity, La Bohème / Act 4: "Oh Dio! Mimì!" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Bohème / Act 4: "Oh Dio! Mimì!" by Giacomo Puccini, Gianni Maffeo, Mirella Freni, Luciano Pavarotti, Elizabeth Harwood, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan having a テンポ of 108 with a half-time of 54 テンポ and a double-time of 216 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Matthew Passion, BWV 244 / Part Two: No. 48 Choral: "Bin ich gleich von dir gewichen" | Johann Sebastian Bach, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 110 BPM | ||
L'elisir d'amore / Act 1: "Benedette queste carte!" - "Della crudele Isotta" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E Major | 1 | 12B | 75 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: No. 63 Choral: "O Haupt voll Blut und Wunden" | Johann Sebastian Bach, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 76 BPM | ||
Pagliacci / Act II: "Suvvia, cosi terrible" | Ruggero Leoncavallo, Joan Carlyle, Carlo Bergonzi, Ugo Benelli, Rolando Panerai, Giuseppe Taddei, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | F Major | 3 | 7B | 98 BPM | ||
Il re pastore, K. 208, Act I Scene 3: Si spande al sole in faccia | Wolfgang Amadeus Mozart, Juan Diego Flórez, Riccardo Minasi | D Major | 4 | 10B | 121 BPM | ||
Die Walküre, WWV 86B / Erster Akt: "Wes Herd dies auch sei, hier muss ich rasten" | Richard Wagner, Gundula Janowitz, Jon Vickers, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 88 BPM | ||
Puccini: La bohème, Act 4: "Vecchia zimarra, senti" (Colline/Schaunard) | Giacomo Puccini, Nicola Zaccaria, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano | D♭ Minor | 1 | 12A | 85 BPM | ||
Mefistofele / Act 2: "Dai campi, dai prati" | Arrigo Boito, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F Major | 3 | 7B | 82 BPM | ||
L'italiana in Algeri / Act 1: Ai capricci della sorte | Gioachino Rossini, Teresa Berganza, Rolando Panerai, Orchestra del Maggio Musicale Fiorentino, Silvio Varviso | D Major | 3 | 10B | 89 BPM | ||
Madama Butterfly / Act I: Ecco. Son giunte al sommo del pendio | Giacomo Puccini, Mirella Freni, José Carreras, Juan Pons, Anthony Laciura, Philharmonia Orchestra, Giuseppe Sinopoli, Ambrosian Opera Chorus, John McCarthy | B Major | 1 | 1B | 135 BPM |