"Puccini: La bohème, Act 4: "Vecchia zimarra, senti" (Colline/Schaunard)" by Giacomo Puccini, Nicola Zaccaria, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano was released on 1958. With Puccini: La bohème, Act 4: "Vecchia zimarra, senti" (Colline/Schaunard) being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Giacomo Puccini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano's "La Bohème - Puccini" album is number 10 out of 26. Puccini: La bohème, Act 4: "Vecchia zimarra, senti" (Colline/Schaunard) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Puccini: La bohème, Act 4: "Vecchia zimarra, senti" (Colline/Schaunard) by Giacomo Puccini, Nicola Zaccaria, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano to be Andante (at a walking pace) because the track has a tempo of 85 テンポ, a half-time of 42テンポ, and a double-time of 170 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Il Barbiere di Siviglia: Il vecchiotto cerca moglie - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | A Major | 1 | 11B | 109 BPM | ||
Tristan und Isolde, WWV 90 / Act 3: "Mild und leise wie er lächelt" (Isoldes Liebestod) | Richard Wagner, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | B Major | 2 | 1B | 142 BPM | ||
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | ||
Turandot (2008 Digital Remaster), Act III - Scene I: Nessum dorma! | Giacomo Puccini, Maria Callas, Eugenio Fernandi, Elisabeth Schwarzkopf, Giuseppe Nessi, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Elisabetta Fusco, Giulio Mauri, Pinuccia Perotti, Tul, Piero de Palma, Renato Ercolani, Orchestra Del Teatro Alla Scala, Milano, Mario Borriello, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | D Major | 3 | 10B | 138 BPM | ||
Verdi: Messa da Requiem: XIV. Sanctus | Giuseppe Verdi, Riccardo Muti, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
Lucia di Lammermoor / Act 3: "Oh! qual funesto avvenimento!" | Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F♯ Minor | 2 | 11A | 81 BPM | ||
Bellini: La sonnambula, Act 2: "Ah! non credea mirarti" (Amina, Elvino) | Vincenzo Bellini, Maria Callas, Nicola Monti, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 1 | 6B | 91 BPM | ||
Macbeth / Act 4: Una macchia è qui tuttora | Giuseppe Verdi, Stefania Malagu, Shirley Verrett, Carlo Zardo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | D♭ Major | 0 | 3B | 82 BPM | ||
La Bohème / Act 3: "Mimì è tanto malata!" | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 3 | 3B | 171 BPM | ||
La Bohème / Act 3: "Ohè, là, le guardie!" - "Aprite!" | Giacomo Puccini, Hans-Dietrich Pohl, Elizabeth Harwood, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 123 BPM |