"Lucia di Lammermoor / Act 3: "Oh! qual funesto avvenimento!"" by Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge was released on January 1, 1972. The duration of Lucia di Lammermoor / Act 3: "Oh! qual funesto avvenimento!" is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Lucia di Lammermoor / Act 3: "Oh! qual funesto avvenimento!"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 36 in Donizetti: Lucia di Lammermoor by Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Lucia di Lammermoor / Act 3: "Oh! qual funesto avvenimento!" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lucia di Lammermoor / Act 3: "Oh! qual funesto avvenimento!" by Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tosca / Act 2: "Chi è là?" | Giacomo Puccini, Sherrill Milnes, Michel Sénéchal, Mirella Freni, National Philharmonic Orchestra, Nicola Rescigno | E Minor | 2 | 9A | 125 BPM | ||
Madama Butterfly / Act 2: E Izaghi ed Izanami, Sarundasico e Kami | Giacomo Puccini, Christa Ludwig, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | G Minor | 0 | 6A | 169 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Che cosa accadde, signori miei (Figaro/Bartolo/Conte/Rosina/Berta/Basilio/Coro/Uffiziale) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | F Major | 3 | 7B | 125 BPM | ||
Spargi d’amaro pianto | Renata Scotto | E♭ Major | 1 | 5B | 129 BPM | ||
Norma / Act 1: Ah! bello a me ritorna | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 2 | 7B | 78 BPM | ||
Il barbiere di Siviglia / Act 1: Mi par d'essere con la testa | Gioachino Rossini, Teresa Berganza, Fernando Corena, Nicolai Ghiaurov, Stefania Malagu, Ugo Benelli, Manuel Ausensi, Dino Mantovani, Coro del Teatro di San Carlo di Napoli, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 5 | 8B | 107 BPM | ||
The Sleeping Beauty, Op. 66, Act III: XXVIIIe. Pas de deux: Coda. Allegro vivace (The Three Ivans) | Pyotr Ilyich Tchaikovsky, National Philharmonic Orchestra, Richard Bonynge | B Major | 4 | 1B | 142 BPM | ||
La Bayadère / Act 1: No.11 Allegro moderato - No.12 Moderato con moto - | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | C Major | 1 | 8B | 109 BPM | ||
L'elisir d'amore / Act 2: "La donna è un animale" | Gaetano Donizetti, Enzo Dara, Leo Nucci, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | D♭ Major | 1 | 3B | 78 BPM | ||
La Source / Act 1: 14. Variation de Naïlia | Ludwig Minkus, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 1 | 10B | 105 BPM |