Giacomo Puccini, Sherrill Milnes, Michel Sénéchal, Mirella Freni, National Philharmonic Orchestra, Nicola Rescigno's 'Tosca / Act 2: "Chi è là?"' came out on January 1, 1978. The duration of Tosca / Act 2: "Chi è là?" is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Tosca / Act 2: "Chi è là?"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Puccini: Tosca". In this album, this song's track order is #11. Based on our statistics, Tosca / Act 2: "Chi è là?"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Tosca / Act 2: "Chi è là?" by Giacomo Puccini, Sherrill Milnes, Michel Sénéchal, Mirella Freni, National Philharmonic Orchestra, Nicola Rescigno having a テンポ of 125 with a half-time of 62 テンポ and a double-time of 250 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore / Act 2: "La donna è un animale...Venti scudi" | Gaetano Donizetti, Dominic Cossa, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | A Major | 1 | 11B | 74 BPM | ||
L'elisir d'amore / Act 2: "Io già m'immagino" - "Come sen va contento!" | Gaetano Donizetti, Luciano Pavarotti, Dame Joan Sutherland, Spiro Malas, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | F Major | 3 | 7B | 138 BPM | ||
Il Trovatore / Act 2: "Il balen del suo sorriso...Qual suono! o ciel!" | Giuseppe Verdi, Ingvar Wixell, Nicolai Ghiaurov, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 3 | 3B | 94 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Là ci darem la mano" - Live | Wolfgang Amadeus Mozart, Edith Mathis, Sherrill Milnes, Wiener Philharmoniker, Karl Böhm, Walter Taussig | A Major | 2 | 11B | 75 BPM | ||
Andrea Chénier / Act 3: Sì, fui soldato .. Passa la vita mia | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | A♭ Major | 3 | 4B | 122 BPM | ||
Madame Butterfly - Grosser Querschnitt: Du, du, du | Alfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper Berlin | C Major | 1 | 8B | 82 BPM | ||
Lucia di Lammermoor / Act 1: "Cruda, funesta smania" | Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 3 | 8B | 70 BPM | ||
La Sonnanbula - Prendi, l'anel ti dono | Vincenzo Bellini, Roberto Alagna, Evelino Pidò, London Philharmonic Orchestra | A♭ Major | 1 | 4B | 82 BPM | ||
L'Arlesiana / Act 2: "È la solita storia del pastore" | Francesco Cilea, Luciano Pavarotti, Vienna Opera Orchestra & Chorus, Nicola Rescigno | A Minor | 1 | 8A | 93 BPM | ||
La Sonnambula / Act 1: Sopra il sen la man mi posa | Vincenzo Bellini, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | F Major | 2 | 7B | 75 BPM |