"La Sonnanbula - Prendi, l'anel ti dono" by Vincenzo Bellini, Roberto Alagna, Evelino Pidò, London Philharmonic Orchestra was released on January 1, 2006. With this song being about 5 minutes long, at 5:17, "La Sonnanbula - Prendi, l'anel ti dono" by Vincenzo Bellini, Roberto Alagna, Evelino Pidò, London Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 20 in the song's album "Roberto Alagna : Bel Canto". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. La Sonnanbula - Prendi, l'anel ti dono is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Sonnanbula - Prendi, l'anel ti dono by Vincenzo Bellini, Roberto Alagna, Evelino Pidò, London Philharmonic Orchestra having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Gioconda / Act 1: "Voce di donna o d'angelo" | Amilcare Ponchielli, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | E♭ Major | 1 | 5B | 78 BPM | ||
Tu si da mia | Roberto Alagna, London Orchestra, Yvan Cassar, Avi Avital | D Minor | 3 | 7A | 54 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act I: Vi mnye pisali - Kogda bi zhizn domashnim krugom | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | B♭ Major | 2 | 6B | 96 BPM | ||
Norma, Act II: Mira, O Norma (Critical Ed. Maurizio Biondi and Riccardo Minasi) - Edit | Vincenzo Bellini, Sumi Jo, Cecilia Bartoli, Orchestra La Scintilla, Giovanni Antonini | B♭ Major | 4 | 6B | 121 BPM | ||
Be My Love | Biréli Lagrène, Roberto Alagna | C Major | 4 | 8B | 111 BPM | ||
Norma / Act 1: "Me protegge, me difende" | Vincenzo Bellini, Luciano Pavarotti, Kim Begley, Orchestra of the Welsh National Opera, Richard Bonynge | E♭ Major | 3 | 5B | 116 BPM | ||
Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi | A♭ Major | 2 | 4B | 79 BPM | ||
Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | ||
Le dernier jour d'un condamné / Acte I: Huit pieds carrés. Quatre murailles de pierre | David Alagna, Roberto Alagna, Orchestre national d'île-de-France, Michel Plasson | D♭ Major | 1 | 3B | 78 BPM | ||
Norma / Act 1: Deh! proteggimi, o Dio! | Vincenzo Bellini, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | D♭ Major | 0 | 3B | 170 BPM |