"Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix)" by Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi was released on August 16, 2011. Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) is about six minutes long, preciously at 6:13, making this song fairly long compared to other songs. The track order of this song in Dame Joan Sutherland's "Joan Sutherland "La Stupenda"" album is number 7 out of 10. On top of that, United States appears to be the country where this track was created. In terms of popularity, Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) by Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi to be Moderato (at a moderate speed) because the track has a tempo of 109 テンポ, a half-time of 54テンポ, and a double-time of 218 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia / Act 1: No.5 Cavatina: "Una voce poco fa" - "Io sono docile" | Gioachino Rossini, Teresa Berganza, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | E Major | 1 | 12B | 129 BPM | ||
L'Europa riconosciuta: Quando più irato freme (Semele) | Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | F Major | 2 | 7B | 129 BPM | ||
Der Rosenkavalier, Op. 59, TrV 227 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | F Major | 3 | 7B | 171 BPM | ||
Giselle Ballet, Act II: Apparition et Scene de Myrtha | Adam Giselle, Paris Conservatoire Orchestra, Jean Martinon | E♭ Major | 0 | 5B | 107 BPM | ||
Mozart: Le nozze di Figaro / Act 3 - "Dove sono i bei momenti" | Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | C Major | 1 | 8B | 82 BPM | ||
Giselle Ballet, Act II: Scebe des Wukus | Adam Giselle, Paris Conservatoire Orchestra, Jean Martinon | C Major | 0 | 8B | 96 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" | Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 77 BPM | ||
I Puritani / Act 1: Sai com'arde in petto mio | Vincenzo Bellini, Dame Joan Sutherland, Nicolai Ghiaurov, London Symphony Orchestra, Richard Bonynge | A Major | 2 | 11B | 140 BPM | ||
Le nozze di Figaro, K. 492 / Act 3: "E Susanna non vien...Dove sono i biei momenti...Io" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Giorgio Tadeo, Thomas Allen, London Philharmonic Orchestra, Sir Georg Solti | C Major | 1 | 8B | 126 BPM | ||
Handel: Alcina: Ma quando tornerai | Dame Joan Sutherland | F Major | 2 | 7B | 101 BPM |