"I Puritani / Act 1: Sai com'arde in petto mio" by Vincenzo Bellini, Dame Joan Sutherland, Nicolai Ghiaurov, London Symphony Orchestra, Richard Bonynge was released on January 1, 1975. I Puritani / Act 1: Sai com'arde in petto mio appears to be safe for all ages as it is not explicit. The song is number 6 out of 26 in Bellini: I Puritani by Vincenzo Bellini, Dame Joan Sutherland, Luciano Pavarotti, Piero Cappuccilli, Nicolai Ghiaurov, London Symphony Orchestra, Richard Bonynge. Based on our statistics, I Puritani / Act 1: Sai com'arde in petto mio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of I Puritani / Act 1: Sai com'arde in petto mio by Vincenzo Bellini, Dame Joan Sutherland, Nicolai Ghiaurov, London Symphony Orchestra, Richard Bonynge is Allegro (fast, quick, and bright), since this song has a tempo of 140 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Louise / Act 3: "Depuis le jour" | Gustave Charpentier, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 1 | 9B | 89 BPM | ||
Norma: Norma, Act I: Casta diva | Vincenzo Bellini, Maria Callas, RAI Chorus, Rome, RAI Symphony Orchestra, Rome, Arturo Basile | F Major | 1 | 7B | 83 BPM | ||
Vasco da Gama: La Marguerite a fermé sa corolle...Ouvre ton coeur | Georges Bizet, Dame Joan Sutherland, L'Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 130 BPM | ||
Rinaldo / Act 2: Lascia ch'io pianga | George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 176 BPM | ||
La Gioconda / Act 2: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM | ||
Irene, o L'Assedio di Messina / Act 2: "Ira del ciel" | Giovanni Pacini, Cecilia Bartoli, International Chamber Soloists, Orchestra La Scintilla, Ádám Fischer | A♭ Major | 4 | 4B | 107 BPM | ||
La sonnambula, Act I: Prendi: l'anel ti dono - Edit | Vincenzo Bellini, Cecilia Bartoli, Juan Diego Flórez, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | E Major | 3 | 12B | 130 BPM | ||
La Bohème / Act 4: "O Mimì, tu più non torni" (Duetto) - "Che ora sia" | Giacomo Puccini, Luciano Pavarotti, Rolando Panerai, Gianni Maffeo, Nicolai Ghiaurov, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 77 BPM | ||
Sadko: Song Of India | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | A Major | 2 | 11B | 75 BPM | ||
Cilea: Adriana Lecouvreur, Act 4: "Poveri fiori" (Adriana Lecouvreur) | Francesco Cilea, Maria Callas, Tullio Serafin, Philharmonia Orchestra | D Minor | 1 | 7A | 58 BPM |