"Sadko: Song Of India" by Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister was released on February 3, 2017. The duration of Sadko: Song Of India is about 3 minutes long, at 3:19. Based on our data, "Sadko: Song Of India" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 15 in Aida by Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Sadko: Song Of India is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sadko: Song Of India by Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister is Adagio (slowly with great expression), since this song has a tempo of 75 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Baïlèro, Serie 1, No. 2 | Joseph Canteloube, Patricia Rozario, Philharmonia Orchestra, Sir John Pritchard | B♭ Major | 2 | 6B | 87 BPM | ||
L'Heure exquise | Reynaldo Hahn, Susan Graham | D♭ Major | 0 | 3B | 79 BPM | ||
Porgy and Bess, Act I: "Summertime" | George Gershwin, Kathleen Battle, Orchestra of St. Luke's, André Previn | F♯ Minor | 1 | 11A | 79 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | A Minor | 0 | 8A | 114 BPM | ||
Rinaldo / Act 2: Lascia ch'io pianga | George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 176 BPM | ||
Dixit Dominus, HWV 232: Dixit Dominus | George Frideric Handel, Rory O'Connor, Angela Kazimierczuk, Charles Humphries, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Minor | 2 | 11A | 93 BPM | ||
4 Lieder, Op. 27, TrV 170: 4. Morgen! | Richard Strauss, Lise Davidsen, Zsolt-Tihamér Visontay, Philharmonia Orchestra, Esa-Pekka Salonen | G Major | 0 | 9B | 171 BPM | ||
Peer Gynt, Op. 23, Act IV Scene 10: Solveigs sang (Solveig's Song) | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | E♭ Major | 1 | 5B | 153 BPM | ||
The Golden Cockerel: Tsaritsa's Dance of Seduction | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | E♭ Minor | 2 | 2A | 98 BPM | ||
Jackie's Song (Romanza) | Julian Lloyd Webber, Esther Abrami, Vienna Radio Symphony Orchestra | A Major | 2 | 11B | 84 BPM |