"Giselle Ballet, Act II: Scebe des Wukus" by Adam Giselle, Paris Conservatoire Orchestra, Jean Martinon was released on January 1, 2000. With Giselle Ballet, Act II: Scebe des Wukus being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Adam Giselle, Paris Conservatoire Orchestra, Jean Martinon's "Giselle Ballet" album is number 14 out of 16. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Giselle Ballet, Act II: Scebe des Wukus is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Giselle Ballet, Act II: Scebe des Wukus by Adam Giselle, Paris Conservatoire Orchestra, Jean Martinon to be Andante (at a walking pace) because the track has a tempo of 96 テンポ, a half-time of 48テンポ, and a double-time of 192 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in F Major, Op. 90: IV. Allegro - Un poco sostenuto (1) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
Album for the Young, Op. 140: No. 18 Serenade in Bb | The Gerst Ensemble | A Major | 2 | 11B | 107 BPM | ||
Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): VI. Az el menes (Marching off) | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | D Major | 1 | 10B | 149 BPM | ||
Nachtveilchen (Polka Mazur), Op. 170 | Polish State Philharmonic Orchestra, Katowice, Johann Strauss II | C Major | 0 | 8B | 113 BPM | ||
Tales from Hofmann Barcarole | Frank Shipway, Royal Philharmonic Orchestra | D Major | 0 | 10B | 141 BPM | ||
Symphony No. 2 in E-Flat Major, Op. 63: III. Rondo (Presto) | Edward Elgar, Hallé, Sir Mark Elder | D Major | 1 | 10B | 134 BPM | ||
Emma, ou la promesse imprudente, S. 6 (Excerpts): Entr'acte to Act II | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 160 BPM | ||
La Tragédie de Salomé, Op. 50: I. Prélude | Florent Schmitt, Frankfurt Radio Symphony Orchestra, Alain Altinoglu | F Major | 1 | 7B | 82 BPM | ||
Shchedrin: Carmen Suite: VIII. Bolero (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | A Minor | 6 | 8A | 175 BPM | ||
2 Romanian Rhapsodies, Op. 11: No. 2 in D Major | George Enescu, Orchestre National De France, Cristian Măcelaru | D Major | 0 | 10B | 73 BPM |