"Symphony No. 9 in D minor, Op. 125: Agnus Dei" by Karl Forster was released on 1979. The duration of Symphony No. 9 in D minor, Op. 125: Agnus Dei is about 3 minutes long, at 3:03. Based on our data, "Symphony No. 9 in D minor, Op. 125: Agnus Dei" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 15 out of 15 in Die Himmel rühmen by Various Artists. The popularity of Symphony No. 9 in D minor, Op. 125: Agnus Dei is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 9 in D minor, Op. 125: Agnus Dei by Karl Forster is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 1/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Organ Concerto No. 1 in G Minor, Op. 4 No. 1, HWV 289: III. Adagio | George Frideric Handel, Karl Richter, Karl Richter Chamber Orchestra | E Minor | 0 | 9A | 140 BPM | ||
Magnificat in D, BWV 243: Et exultavit (soprano 2) | Lisa Milne, Choir of King's College, Cambridge, Susan Gritton, Michael George, Stephen Cleobury, Michael Chance, Ian Bostridge, Academy of Ancient Music | D♭ Major | 1 | 3B | 127 BPM | ||
Peer Gynt, Op.23 - Incidental Music: Act 1 - Prelude | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | D Major | 1 | 10B | 72 BPM | ||
Kapitel 4.2 - Segeln | Karl Forster | D Major | 2 | 10B | 115 BPM | ||
Sonata nº 1: Largo. Pater, Dimitte Illis, quia Nesciunt, quid Faciunt | Orquesta Barroca de Sevilla | A♭ Major | 1 | 4B | 78 BPM | ||
Lulu / Act 2: "Sein Vater!" ... "Du Kreatur, die mich durch den Strassenkot" | Alban Berg, Teresa Stratas, Yvonne Minton, Kenneth Riegel, Franz Mazura, Gerd Nienstedt, Orchestre de l'Opéra de Paris, Pierre Boulez | A Minor | 1 | 8A | 104 BPM | ||
Christ lag in Todesbanden: IVc. Aria "Er ist das rechte Osterlamb" | Johann Kuhnau, Paul Agnew, Les Arts Florissants, Thomas Hobbs | E Major | 1 | 12B | 79 BPM | ||
Schubert: Deutsche Messe, D. 872: No. 1, Zum Eingang | Franz Schubert, Chor der St. Hedwigs, Kathedrale Berlin, Berliner Symphoniker, Wolfgang Meyer, Karl Forster, Chor der St. Hedwigs-Kathedrale Berlin | B Major | 3 | 1B | 86 BPM | ||
Kapitel 19.3 - Segeln | Karl Forster | E♭ Minor | 5 | 2A | 73 BPM | ||
Bach, JS: Johannes-Passion, BWV 245, Pt. 2: No. 32, Aria mit Chor. "Mein teurer Heiland" | Johann Sebastian Bach, Karl Forster, Chor der St. Hedwigs-Kathedrale Berlin, Horst Lindner, Karl Christian Kohn, Berliner Symphoniker | E♭ Major | 1 | 5B | 164 BPM |
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