"Organ Concerto No. 1 in G Minor, Op. 4 No. 1, HWV 289: III. Adagio" by George Frideric Handel, Karl Richter, Karl Richter Chamber Orchestra was released on 2015. With Organ Concerto No. 1 in G Minor, Op. 4 No. 1, HWV 289: III. Adagio being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Karl Richter, Karl Richter Chamber Orchestra's "Handel: Organ Concertos" album is number 3 out of 46. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Organ Concerto No. 1 in G Minor, Op. 4 No. 1, HWV 289: III. Adagio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Organ Concerto No. 1 in G Minor, Op. 4 No. 1, HWV 289: III. Adagio by George Frideric Handel, Karl Richter, Karl Richter Chamber Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Zwölf Orgelstücke, Op. 4: VIII. Adagio | Johann Gottlob Schneider, Halgeir Schiager | B Minor | 2 | 10A | 128 BPM | ||
Hope | Alexander Därr | E Major | 6 | 12B | 98 BPM | ||
Dixit Dominus, HWV 232: Die Torrente in via bibet | George Frideric Handel, Angela Kazimierczuk, Katherine Fuge, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 0 | 10A | 68 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
Concerto No. 5 in B-Flat Major, SF 944 "La Cetra": III. Presto ma non molto | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | A Major | 4 | 11B | 115 BPM | ||
Toccata And Fugue In D Minor, BWV 538 "Dorian": 2. Fuga | Johann Sebastian Bach, Karl Richter | E♭ Minor | 3 | 2A | 110 BPM | ||
Viola Concerto in G Major, TWV 51:G9: Viola Concerto in G Major, TWV 51:G9: II. Allegro | Georg Philipp Telemann, Antoine Tamestit, Akademie für Alte Musik Berlin, Bernhard Forck | F♯ Major | 2 | 2B | 129 BPM | ||
Musique de table, Part II: Concerto for 3 Violins in F Major, TWV 53:F1: I. Allegro | Georg Philipp Telemann, Anna Hoelblingova, Quido Holbling, Alexander Jablokov, Capella Istropolitana, Richard Edlinger | F Major | 1 | 7B | 96 BPM | ||
Concerto Grosso in D Minor, Op. 6, No. 10, HWV 328: V. Allegro | George Frideric Handel, Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, The English Concert | A Major | 1 | 11B | 79 BPM | ||
弦楽のための組曲: 第4楽章: Dashing away/アイロンをかけまくる | John Rutter, 石田泰尚, 石田組 | A Minor | 2 | 8A | 79 BPM |
Section: 0.6222949028015137
End: 0.6268041133880615