"Bach, JS: Johannes-Passion, BWV 245, Pt. 2: No. 32, Aria mit Chor. "Mein teurer Heiland"" by Johann Sebastian Bach, Karl Forster, Chor der St. Hedwigs-Kathedrale Berlin, Horst Lindner, Karl Christian Kohn, Berliner Symphoniker was released on January 1, 1962. With this song being about 5 minutes long, at 4:34, "Bach, JS: Johannes-Passion, BWV 245, Pt. 2: No. 32, Aria mit Chor. "Mein teurer Heiland"" by Johann Sebastian Bach, Karl Forster, Chor der St. Hedwigs-Kathedrale Berlin, Horst Lindner, Karl Christian Kohn, Berliner Symphoniker is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 28 out of 68 in Bach: Johannes-Passion, BWV 245 by Johann Sebastian Bach, Karl Forster, Berliner Symphoniker, Dietrich Fischer-Dieskau, Christa Ludwig, Fritz Wunderlich, Elisabeth Grümmer. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Bach, JS: Johannes-Passion, BWV 245, Pt. 2: No. 32, Aria mit Chor. "Mein teurer Heiland" is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JS: Johannes-Passion, BWV 245, Pt. 2: No. 32, Aria mit Chor. "Mein teurer Heiland" by Johann Sebastian Bach, Karl Forster, Chor der St. Hedwigs-Kathedrale Berlin, Horst Lindner, Karl Christian Kohn, Berliner Symphoniker is Vivace (lively and fast), since this song has a tempo of 164 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No.11 In G Minor, Op.37 No.1 | Frédéric Chopin, Maurizio Pollini | B♭ Major | 0 | 6B | 75 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Concerto For 4 Harpsichords, Strings, And Continuo In A Minor, BWV 1065: 2. Largo | Johann Sebastian Bach, Ton Koopman, Tini Mathot, Friederike Ernst, David Collyer, Amsterdam Baroque Orchestra | F♯ Major | 2 | 2B | 123 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
Cello Concerto No. 1 In C Major, G. 477: II. Largo | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | F Major | 0 | 7B | 70 BPM | ||
Nocturne No.14 In F Sharp Minor, Op.48 No.2 | Frédéric Chopin, Maurizio Pollini | D♭ Major | 0 | 3B | 75 BPM | ||
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: I. Allegro | Cologne Chamber Orchestra, Johann Sebastian Bach | B♭ Major | 2 | 6B | 90 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM |
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