Magnificat in D, BWV 243: Et exultavit (soprano 2)
Lisa Milne, Choir of King's College, Cambridge, Susan Gritton, Michael George, Stephen Cleobury, Michael Chance, Ian Bostridge, Academy of Ancient Music
Bach: Magnificat in D etc.
2:23 April 18, 2000
BPM
127
Key
D♭ Major
Camelot
3B

Embed

Share Link

Magnificat in D, BWV 243: Et exultavit (soprano 2) - Lisa Milne, Choir of King's College, Cambridge, Susan Gritton, Michael George, Stephen Cleobury, Michael Chance, Ian Bostridge, Academy of Ancient Music Information

Acousticness
90%
Danceability
39%
Energy
7%
Instrumentalness
0%
Liveness
11%
Loudness
59%
Speechiness
4%
Valence
35%
Popularity
Loudness
-24.688 dB

Summary

Lisa Milne, Choir of King's College, Cambridge, Susan Gritton, Michael George, Stephen Cleobury, Michael Chance, Ian Bostridge, Academy of Ancient Music's 'Magnificat in D, BWV 243: Et exultavit (soprano 2)' came out on April 18, 2000. The duration of Magnificat in D, BWV 243: Et exultavit (soprano 2) is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Magnificat in D, BWV 243: Et exultavit (soprano 2)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 52 in Bach: Magnificat in D etc. by Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury. Based on our statistics, Magnificat in D, BWV 243: Et exultavit (soprano 2)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Magnificat in D, BWV 243: Et exultavit (soprano 2) BPM

The tempo marking of Magnificat in D, BWV 243: Et exultavit (soprano 2) by Lisa Milne, Choir of King's College, Cambridge, Susan Gritton, Michael George, Stephen Cleobury, Michael Chance, Ian Bostridge, Academy of Ancient Music is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.

Magnificat in D, BWV 243: Et exultavit (soprano 2) Key

This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Mass in D Major, Op. 86, B. 175: Gloria. Allegro vivo by Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Václav Smetáček, Josef Veselka, Jaroslav TvrzskyMass in D Major, Op. 86, B. 175: Gloria. Allegro vivoAntonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Václav Smetáček, Josef Veselka, Jaroslav TvrzskyG Major19B66 BPM
O, wha my babie-clouts will buy? by Francis George Scott, Lisa Milne, Roderick Williams, Iain BurnsideO, wha my babie-clouts will buy?Francis George Scott, Lisa Milne, Roderick Williams, Iain BurnsideD Minor27A130 BPM
Giulio Cesare, HWV 17: Act II - Giulio Cesare, HWV 17: Act II - "V'adoro pupille"Simone KermesE Major112B101 BPM
Ein deutsches Requiem (A German Requiem), Op. 45: VII. Selig sind die Toten by Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot GardinerEin deutsches Requiem (A German Requiem), Op. 45: VII. Selig sind die TotenJohannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot GardinerF Major17B134 BPM
Requiem: I. Requiem by Anton Bruckner, Elke Janssens, Penelope Turner, Roel Willems, Arnout Malfliet, Laudantes Consort, Guy JanssensRequiem: I. RequiemAnton Bruckner, Elke Janssens, Penelope Turner, Roel Willems, Arnout Malfliet, Laudantes Consort, Guy JanssensC Minor05A69 BPM
Requiem in E-Flat Minor: XI. Quia pius es - XII. Requiem aeternam by Józef Kozłowski, Singapore Symphony Orchestra, Hans Graf, Singapore Symphony Chorus & Youth Choir, Olga Peretyatko, Olesya Petrova, Boris StepanovRequiem in E-Flat Minor: XI. Quia pius es - XII. Requiem aeternamJózef Kozłowski, Singapore Symphony Orchestra, Hans Graf, Singapore Symphony Chorus & Youth Choir, Olga Peretyatko, Olesya Petrova, Boris StepanovE♭ Major05B167 BPM
The Arnold Book of Old Songs: Charlie is my darling by Roger Quilter, Graham Johnson, Lisa MilneThe Arnold Book of Old Songs: Charlie is my darlingRoger Quilter, Graham Johnson, Lisa MilneF Minor24A68 BPM
Missa Tempore Quadragesimae, MH 553: Kyrie by Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy VashegyiMissa Tempore Quadragesimae, MH 553: KyrieMichael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy VashegyiA Major011B77 BPM
Missa Votiva, ZWV 18: Kyrie I. by Jan Dismas Zelenka, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder BerniusMissa Votiva, ZWV 18: Kyrie I.Jan Dismas Zelenka, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder BerniusE♭ Minor22A116 BPM
Te Deum: Per singulos dies by Johann Simon Mayr, Priska Eser-Streit, Merit Ostermann, Andreas Hirtreiter, Jorg Schneider, Robert Merwald, Simon Mayr Choir, Franz Hauk, Ingolstadt Georgian Chamber OrchestraTe Deum: Per singulos diesJohann Simon Mayr, Priska Eser-Streit, Merit Ostermann, Andreas Hirtreiter, Jorg Schneider, Robert Merwald, Simon Mayr Choir, Franz Hauk, Ingolstadt Georgian Chamber OrchestraD Major210B99 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.9787321090698242

End: 0.9833698272705078