Johann Simon Mayr, Priska Eser-Streit, Merit Ostermann, Andreas Hirtreiter, Jorg Schneider, Robert Merwald, Simon Mayr Choir, Franz Hauk, Ingolstadt Georgian Chamber Orchestra made "Te Deum: Per singulos dies" available on October 27, 2009. The duration of Te Deum: Per singulos dies is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Te Deum: Per singulos dies's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Franz Hauk's "Mayr: Te Deum - Mozart: Missa Solemnis" album is number 22 out of 23. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Te Deum: Per singulos dies is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Te Deum: Per singulos dies by Johann Simon Mayr, Priska Eser-Streit, Merit Ostermann, Andreas Hirtreiter, Jorg Schneider, Robert Merwald, Simon Mayr Choir, Franz Hauk, Ingolstadt Georgian Chamber Orchestra to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa di Gloria: I. Kyrie | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Orfeó Català, Pablo Larraz | B Minor | 6 | 10A | 129 BPM | ||
Bach, CPE: Magnificat in D Minor, Wq. 215: III. Quia fecit | Carl Philipp Emanuel Bach, Geraint Jones, Wilfred Brown, Geraint Jones Orchestra | D Major | 4 | 10B | 121 BPM | ||
Stabat Mater, P. 77: III. O quam tristis | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Rondo Fresco Ungaria per corno di bassetto e ottetto di fiati | Georg Druschetzky, Luigi Magistrelli, Italian Classical Consort | F Major | 1 | 7B | 136 BPM | ||
Armida, Atto primo Scena 1: Sparso di pure brine (Coro) | Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Chœur De Chambre De Namur | A Minor | 2 | 8A | 104 BPM | ||
Misatango, Misa a Buenos Aires: IX. Et resurexit | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 3 | 5A | 203 BPM | ||
Laudate Pueri: II. A solis ortu | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Giles Underwood, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Der Herbst: "Juchhe, der Wein ist da | Joseph Haydn, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | F Major | 2 | 7B | 118 BPM | ||
Sacrum, R.586 - rev. Franz Giegling: 2c Gloria: (Allegro non molto) Laudamus te | Antonio Vivaldi, Margaret Marshall, Anne Collins, Robert Holl, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers, John Constable | G Major | 2 | 9B | 80 BPM | ||
Handel: L'Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: Recitative. "First, and Chief, on Golden Wing" - Air. "Sweet Bird" | George Frideric Handel, Sir Neville Marriner, Kathleen Battle, Academy of St. Martin in the Fields | B♭ Major | 0 | 6B | 134 BPM |
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