Carl Philipp Emanuel Bach, Geraint Jones, Wilfred Brown, Geraint Jones Orchestra made "Bach, CPE: Magnificat in D Minor, Wq. 215: III. Quia fecit" available on April 10, 2024. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 9 in CPE Bach: Magnificat, Wq. 215 by Carl Philipp Emanuel Bach, Geraint Jones, Geraint Jones Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Bach, CPE: Magnificat in D Minor, Wq. 215: III. Quia fecit's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Bach, CPE: Magnificat in D Minor, Wq. 215: III. Quia fecit by Carl Philipp Emanuel Bach, Geraint Jones, Wilfred Brown, Geraint Jones Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beatus vir, ZWV 75: Gloria Patri - After Psalm 111 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Minor | 1 | 1A | 103 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 3. Kyrie eleison | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | D Major | 2 | 10B | 111 BPM | ||
Salve Regina: No. 5., Et Jesu benedictum | Pasquale Anfossi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Orfeo ed Euridice, Wq. 30, Act III Scene 1: Che farò senza Euridice! | Christoph Willibald Gluck, David Bates, Andrew Manze, Akademie für Alte Musik Berlin, La Nuova Musica, Oregon Symphony, Iestyn Davies | G Major | 0 | 9B | 84 BPM | ||
Dido & Aeneas: Dido & Aeneas: Act I, Belinda, Second Woman "Fear no danger to ensue" | Henry Purcell, Maria Cristina Kiehr, Rosemary Joshua, René Jacobs, Orchestra of the Age of Enlightenment | B Major | 2 | 1B | 103 BPM | ||
Exaudiat te Dominus, LWV 77 No. 15: I. Exaudiat te Dominus in die tribulationis | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
The Crucifixion: The Agony (Bass, Chorus) - Recitative: And they laid their hands on Him (Tenor, Bass) | John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown | D♭ Minor | 1 | 12A | 68 BPM | ||
Te deum, LWV 55: IV. Patrem immensae majestatis | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Nisi Dominus, RV 608: VIII. Sicut erat in principio | Antonio Vivaldi, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Missa Divi Xaverii, ZWV 12: Christe eleison | Jan Dismas Zelenka, Hana Blaziková, Collegium 1704, Vaclav Luks | F♯ Minor | 3 | 11A | 171 BPM |
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