Bach, CPE: Magnificat in D Minor, Wq. 215: III. Quia fecit
Carl Philipp Emanuel Bach, Geraint Jones, Wilfred Brown, Geraint Jones Orchestra
CPE Bach: Magnificat, Wq. 215
3:52 April 10, 2024
BPM
121
Key
D Major
Camelot
10B

Embed

Share Link

Bach, CPE: Magnificat in D Minor, Wq. 215: III. Quia fecit - Carl Philipp Emanuel Bach, Geraint Jones, Wilfred Brown, Geraint Jones Orchestra Information

Acousticness
96%
Danceability
40%
Energy
42%
Instrumentalness
86%
Liveness
38%
Loudness
75%
Speechiness
4%
Valence
60%
Popularity
Loudness
-14.742 dB

Summary

Carl Philipp Emanuel Bach, Geraint Jones, Wilfred Brown, Geraint Jones Orchestra made "Bach, CPE: Magnificat in D Minor, Wq. 215: III. Quia fecit" available on April 10, 2024. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 9 in CPE Bach: Magnificat, Wq. 215 by Carl Philipp Emanuel Bach, Geraint Jones, Geraint Jones Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Bach, CPE: Magnificat in D Minor, Wq. 215: III. Quia fecit's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Bach, CPE: Magnificat in D Minor, Wq. 215: III. Quia fecit BPM

The tempo marking of Bach, CPE: Magnificat in D Minor, Wq. 215: III. Quia fecit by Carl Philipp Emanuel Bach, Geraint Jones, Wilfred Brown, Geraint Jones Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Bach, CPE: Magnificat in D Minor, Wq. 215: III. Quia fecit Key

D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Beatus vir, ZWV 75: Gloria Patri - After Psalm 111 by Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque SolistsBeatus vir, ZWV 75: Gloria Patri - After Psalm 111Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque SolistsA♭ Minor11A103 BPM
Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 3. Kyrie eleison by Niccolò Jommelli, Il Gardellino, Peter Van HeyghenMissa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 3. Kyrie eleisonNiccolò Jommelli, Il Gardellino, Peter Van HeyghenD Major210B111 BPM
Salve Regina: No. 5., Et Jesu benedictum by Pasquale Anfossi, Andreas Scholl, Accademia Bizantina, Alessandro TampieriSalve Regina: No. 5., Et Jesu benedictumPasquale Anfossi, Andreas Scholl, Accademia Bizantina, Alessandro TampieriE Minor19A99 BPM
Orfeo ed Euridice, Wq. 30, Act III Scene 1: Che farò senza Euridice! by Christoph Willibald Gluck, David Bates, Andrew Manze, Akademie für Alte Musik Berlin, La Nuova Musica, Oregon Symphony, Iestyn DaviesOrfeo ed Euridice, Wq. 30, Act III Scene 1: Che farò senza Euridice!Christoph Willibald Gluck, David Bates, Andrew Manze, Akademie für Alte Musik Berlin, La Nuova Musica, Oregon Symphony, Iestyn DaviesG Major09B84 BPM
Dido & Aeneas: Dido & Aeneas: Act I, Belinda, Second Woman Dido & Aeneas: Dido & Aeneas: Act I, Belinda, Second Woman "Fear no danger to ensue"Henry Purcell, Maria Cristina Kiehr, Rosemary Joshua, René Jacobs, Orchestra of the Age of EnlightenmentB Major21B103 BPM
Exaudiat te Dominus, LWV 77 No. 15: I. Exaudiat te Dominus in die tribulationis by Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de VersaillesExaudiat te Dominus, LWV 77 No. 15: I. Exaudiat te Dominus in die tribulationisJean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de VersaillesB♭ Major66B94 BPM
The Crucifixion: The Agony (Bass, Chorus) - Recitative: And they laid their hands on Him (Tenor, Bass) by John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim BrownThe Crucifixion: The Agony (Bass, Chorus) - Recitative: And they laid their hands on Him (Tenor, Bass)John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim BrownD♭ Minor112A68 BPM
Te deum, LWV 55: IV. Patrem immensae majestatis by Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de VersaillesTe deum, LWV 55: IV. Patrem immensae majestatisJean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de VersaillesB♭ Major66B94 BPM
Nisi Dominus, RV 608: VIII. Sicut erat in principio by Antonio Vivaldi, Maarten Engeltjes, PRJCT AmsterdamNisi Dominus, RV 608: VIII. Sicut erat in principioAntonio Vivaldi, Maarten Engeltjes, PRJCT AmsterdamF♯ Minor211A101 BPM
Missa Divi Xaverii, ZWV 12: Christe eleison by Jan Dismas Zelenka, Hana Blaziková, Collegium 1704, Vaclav LuksMissa Divi Xaverii, ZWV 12: Christe eleisonJan Dismas Zelenka, Hana Blaziková, Collegium 1704, Vaclav LuksF♯ Minor311A171 BPM
ISRC
GBAYC9803718
Label
L-M Records/RCA Records

Section: 0.6507184505462646

End: 0.6572201251983643