"Lulu / Act 2: "Sein Vater!" ... "Du Kreatur, die mich durch den Strassenkot"" by Alban Berg, Teresa Stratas, Yvonne Minton, Kenneth Riegel, Franz Mazura, Gerd Nienstedt, Orchestre de l'Opéra de Paris, Pierre Boulez was released on January 1, 2000. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 36 in Berg: Lulu by Alban Berg, Teresa Stratas, Orchestre de l'Opéra de Paris, Pierre Boulez. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Lulu / Act 2: "Sein Vater!" ... "Du Kreatur, die mich durch den Strassenkot" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lulu / Act 2: "Sein Vater!" ... "Du Kreatur, die mich durch den Strassenkot" by Alban Berg, Teresa Stratas, Yvonne Minton, Kenneth Riegel, Franz Mazura, Gerd Nienstedt, Orchestre de l'Opéra de Paris, Pierre Boulez is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Canons on Latin Texts, Op. 16: Dormi Jesu | Anton Webern, Jennifer Welch-Babidge, Charles Neidich, Michael Lowenstern | D♭ Major | 0 | 3B | 110 BPM | ||
Turangalîla Symphonie: 9. Turangalîla 3 | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | B♭ Major | 1 | 6B | 112 BPM | ||
Symphony, Op. 21: I. Ruhig, schreitend | Anton Webern, Twentieth Century Classics Ensemble, Robert Craft | G Major | 0 | 9B | 78 BPM | ||
Le marteau sans maître: "Bourreaux de solitude" | Pierre Boulez, Hilary Summers, Ensemble Intercontemporain | A♭ Major | 0 | 4B | 81 BPM | ||
Rapsodie espagnole, M.54: 3. Habanera | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | D♭ Major | 0 | 3B | 75 BPM | ||
Serenade, Op. 1: II. Andante con moto | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | D♭ Major | 0 | 3B | 83 BPM | ||
Concerto for 2 Pianos, FP 61: I. Allegro ma non troppo | Francis Poulenc, Leonard Bernstein, New York Philharmonic | E♭ Major | 2 | 5B | 70 BPM | ||
Sonata for Violin and Piano No. 1 in F Minor, Op. 80: III. Andante | Sergei Prokofiev, Gidon Kremer, Martha Argerich | G Minor | 4 | 6A | 92 BPM | ||
Wozzeck / Act 1: Scene 4: The Doctor's study. "Was erleb ich, Wozzeck?" | Alban Berg, Aage Haugland, Franz Grundheber, Wiener Philharmoniker, Claudio Abbado | C Minor | 1 | 5A | 71 BPM | ||
Concerto Grosso No. 5: I. Allegretto - Live | Alfred Schnittke, Gidon Kremer, Rainer Keuschnig, Wiener Philharmoniker, Christoph von Dohnányi | F Major | 1 | 7B | 176 BPM |
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