"Le marteau sans maître: "Bourreaux de solitude"" by Pierre Boulez, Hilary Summers, Ensemble Intercontemporain was released on December 15, 2004. With this song being about 5 minutes long, at 5:03, "Le marteau sans maître: "Bourreaux de solitude"" by Pierre Boulez, Hilary Summers, Ensemble Intercontemporain is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 11 in Boulez: Le Marteau sans maitre; Derive 1 & 2 by Pierre Boulez, Hilary Summers, Ensemble Intercontemporain. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Le marteau sans maître: "Bourreaux de solitude" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Le marteau sans maître: "Bourreaux de solitude" by Pierre Boulez, Hilary Summers, Ensemble Intercontemporain is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Divertimento: V: Turkey Trot: Allegretto, ben misurato | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Water Music: Suite No. 2 in D Major, HWV 349, IV. Lentement | George Frideric Handel, Pierre Boulez, New York Philharmonic | D Major | 1 | 10B | 79 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Street Wakens - Morning Dance | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | G Major | 2 | 9B | 90 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": II. Larghetto | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Major | 0 | 11B | 104 BPM | ||
Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM | ||
Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 3, Moonlight | Benjamin Britten, André Previn, London Symphony Orchestra | G Minor | 1 | 6A | 117 BPM | ||
Japanese Suite, Op. 33: II. Ceremonial Dance | Gustav Holst, Ulster Orchestra, Joann Falletta | D♭ Major | 1 | 3B | 108 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
Das Lied von der Erde: Von der Jugend | Gustav Mahler, Michael Schade, Wiener Philharmoniker, Pierre Boulez | G Minor | 1 | 6A | 79 BPM | ||
Première rhapsodie, L. 116: Rêveusement lent | Claude Debussy, Franklin Cohen, Cleveland Orchestra, Pierre Boulez | E♭ Minor | 0 | 2A | 109 BPM |
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