"Concerto Grosso No. 5: I. Allegretto - Live" by Alfred Schnittke, Gidon Kremer, Rainer Keuschnig, Wiener Philharmoniker, Christoph von Dohnányi was released on January 1, 2002. Since Concerto Grosso No. 5: I. Allegretto - Live is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Schnittke: Concerti Grossi Nos.1 & 5; Quasi una Sonata". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. The popularity of Concerto Grosso No. 5: I. Allegretto - Live is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto Grosso No. 5: I. Allegretto - Live by Alfred Schnittke, Gidon Kremer, Rainer Keuschnig, Wiener Philharmoniker, Christoph von Dohnányi having a BPM of 176 with a half-time of 88 BPM and a double-time of 352 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
Choral Hymns from the Rig Veda, 3rd Group, Op. 26: No. 1. Hymn to the Dawn | Gustav Holst, Etherea Vocal Ensemble, Grace Cloutier, Derek Greten-Harrison | G Major | 0 | 9B | 76 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act II: Lensky's Aria (Arr. Auer / Orch. Rot) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, National Philharmonic Orchestra of Russia, Vladimir Spivakov | E Minor | 2 | 9A | 100 BPM | ||
Nocturnes, L. 91: 1. Nuages | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 83 BPM | ||
Scenes de la foret, Op. 123: No. 1. Nocturne | Mel Bonis, Tatjana Ruhland, Florian Wiek, Stuttgart Radio Symphony Orchestra, members | A♭ Major | 0 | 4B | 131 BPM | ||
String Quartet in G Minor, Op. 10: III. Andantino (Doucement expressif) | Claude Debussy, Quatuor Ébène | A Minor | 0 | 8A | 129 BPM | ||
Statuit ei Dominus | Arvo Pärt, Sinfonietta Riga, Tõnu Kaljuste, Latvian Radio Choir, Vox Clamantis | D Minor | 1 | 7A | 83 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
Hymne au soleil | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | D Major | 1 | 10B | 131 BPM | ||
Adagio from Violin Sonata in G Minor, Op. 5 No. 5 (Arr. Leopold Stokowski) | Arcangelo Corelli, Matthias Bamert, BBC Philharmonic | B♭ Major | 1 | 6B | 85 BPM |
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