"Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio" by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston was released on April 27, 1995. Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio appears to be safe for all ages as it is not explicit. There are a total of 20 in the song's album "Schonberg : Verklärte Nacht, 5 Orchestral Pieces & Piano Works". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Berceuse, Op. 16 | Gabriel Fauré, Michael Healy, RTE Sinfonietta, John Georgiadis | D Major | 0 | 10B | 75 BPM | ||
Mahler: Symphony No. 5 in C-Sharp Minor: I. Trauermarsch | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Minor | 1 | 12A | 122 BPM | ||
Sibelius : Violin Concerto in D minor Op.47 : II Adagio di molto | Jean Sibelius, Maxim Vengerov, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Major | 1 | 6B | 129 BPM | ||
Guillaume Tell: Overture - Remastered | Gioachino Rossini, Fritz Reiner, Chicago Symphony Orchestra | E Major | 1 | 12B | 85 BPM | ||
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
Sonata for Piano and Violin in A Major, FW 8: I. Allegro ben moderato | César Franck, Isabelle Faust, Alexander Melnikov | A Major | 0 | 11B | 134 BPM | ||
Tre Sonetti di Petrarca, S. 270: Sonetto No. 123: "I' vidi in terra angelici costumi" Lento placido - Sempre lento - Più lento | Franz Liszt, Daniel Barenboim | A♭ Major | 0 | 4B | 134 BPM | ||
String Quartet in G Minor, Op. 10: I. Animé et très décidé | Claude Debussy, Quatuor Ébène | F♯ Minor | 0 | 11A | 84 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM |
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